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If you're looking for someone who gets genuinely excited about building things from scratch, no-code or custom, you've found her.
I build SaaS products, websites and automations for real businesses. Before tech I worked in bakery production and accounting, so I know how operations run. I launched LEVIQ, an HR and compliance platform for accounting offices, and BakeOps, a bakery production system. I also design websites, logos and booking systems, from construction firms to salons. Clear communication, real results.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Currently building a new identity for an AI + fintech company in Dubai.
Still early, but this is one of the directions we’ve been exploring for the brand.
The idea was to avoid the usual “AI company” visual language and build something that feels more established, precise, and quietly futuristic.
We’ve been playing with geometry, light, and a much more restrained visual system around the mark.
Still developing this one, so I’m curious:
Would you push this direction further, or keep it this restrained?
Honestly the logo presentation is impressive
Brand guidelines fail when someone tries to use them. The PDF is complete. But when a developer needs something the system didn't anticipate, there's no logic to extend from. A style guide documents what exists. A system tells you what to do next.
Mind blowing job
CREARA is a Spain-based architectural firm with a unique selling point: creating spaces that align with the lifestyles desired by young families.
With a premium, minimalist aesthetic, the firm stands out by avoiding cookie-cutter designs, instead creating bespoke solutions tailored to each client's specific needs.
Focusing primarily on young families, the visual identity is soft, modern, and sustainable.
The young-families angle is the tricky constraint here, since premium minimal usually gets read as slightly untouchable and families are the audience least inclined to want that. The softened wordmark and the warmer half of the palette look like where that gets absorbed. Was the...