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For this short film, I created a gritty, high-stakes escape sequence where a protagonist believes he has exactly one minute to outrun masked enemies, leading to the ultimate twist that his countdown timer is actually a bomb. Using Renoise Canvas, I generated the dark, moody environments and dynamic camera angles to maintain a relentless, cinematic pacing from the first second to the explosive end.
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Midnight in Penang, where the alleys come alive. Rain-slicked cobblestones reflecting warm lantern light, the distant sizzle of street food, and that quiet, cinematic haze that only happens after midnight.
This is my AI-generated reimagination of a hidden corner of George Town at night. Made with Agent One in Invideo
Cool
Hey community! Dropping a quick style frame and motion pipeline test I wrapped up recently.
The Goal: Achieve a gritty, found-footage aesthetic with an FPV drone chase that feels organic rather than a clean, digital AI generation.
The Process & Workarounds:
Base generations focused heavily on camera physics (banking, velocity, and high-speed tracking).
Post-production work to heavily crush the color grade into a moody, midnight teal palette.
Implemented heavy digital grain overlays and timed lightning flashes to mask geometry clipping and maintain the dreamlike atmosphere.
I’m currently booking for late Q2/Q3 for AI video pipelines, motion design, and digital brand storytelling. If you have a project that needs a raw, cinematic edge, let’s connect and collaborate. 🚀
nice watching!
It's fascinating to see how quickly AI filmmaking has evolved.
This film teaser was created in October 2025, while this brand commercial was created in June 2026.
Just eight months apart, yet the difference in tools, workflows, and creative possibilities feels remarkable.
Curious to hear your thoughts - which one do you like more?
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June 2026 got my upgoat
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