This question has been doing the rounds on X and I have to say, I'm firmly on the other side of that argument. I've always loved seeing typography become part of the artwork rather than just a title sitting on top of it.
So I wanted to put that idea to the test with an imagined album called Nothing Stays Still, inspired by change, fleeting moments and everything in between:)
I played around with the lettering until it felt expressive, a little restless, and inseparable from the photograph.
Because I think badly considered typography is tacky. Typography itself? Give it a chance :)
What's an album cover where the type really makes it for you?
Interlocking the M and S also gives the embroidery one continuous shape to stitch, which tends to hold up better than two separate letters. Did you test how the overlap reads at chest-logo size, around 3 cm?
At 4Pixels Studio, our goal is to eliminate guesswork and help design teams secure fast client approvals. To build a highly accurate 3D master model that allows for seamless material testing and perfect lighting, a structured kickoff is essential.
I've made a post with some tips and tricks - how to make the workflow max comfortable and output - as close to designers' vision as possible, from the very first try!