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explain what you build and why
Here is a breakdown of what was created for your Rive Broadcast & Livestream UI Challenge entry and the visual design strategy behind it:
What Was Built
The generated video is a 30-second hyper-realistic broadcast graphics showcase designed around a Futuristic Live Race Command Center. It brings together key live-data visualization elements commonly used in top-tier sports broadcasting and esports production:
Futuristic Broadcast Environment:
Set in a dark, atmospheric control center control room (#05070F dark base).
Features glowing holographic displays, volumetric neon blue (#5B5BFF) and cyan (#00E5FF) lighting, and subtle particle ambient depth.
Dynamic UI & Glassmorphism Dashboards:
Multi-layered UI panels featuring translucent glassmorphic card designs with soft neon edge glows, dynamic spring animations, and active ambient motion.
F1-Style Live Timing Tower & Telemetry:
Real-time driver leaderboard updates, live position changes, animated timing counters, and fast lap highlights.
Expanded driver telemetry widgets showing dynamic speedometers, RPM meters, gear indicators, and real-time telemetry graphs.
3D Interactive Circuit Map & Broadcast Overlays:
Glowing 3D track visualization with moving car position markers and sector indicators.
Broadcast-ready TV overlays including dynamic lower thirds, race alerts, and statistical widgets.
Why It Was Built This Way
To win or stand out in a high-profile UI design competition like the Rive Broadcast & Livestream UI Challenge, the showcase needed to strike a balance across several key pillars:
Broadcast Authenticity (F1 / ESPN / Riot Games Aesthetic):
Modern live sports coverage relies heavily on high-density information architecture that remains clean and readable. Combining dynamic race telemetry with sleek, broadcast-ready lower-thirds mimics multi-million dollar television production packages.
Motion & Technical Precision (Apple Keynote Polish):
Every UI widget has continuous micro-animations (counters ticking, graphs oscillating, glowing neon pulses). Demonstrating active state changes proves the motion design is fluid, responsive, and high-frequency (60 FPS feel).
Visual Depth & Futuristic Aesthetic:
Using glassmorphism layered over a dark background creates high contrast for neon data indicators (#00E5FF Cyan, #00FF9D Green, #FF3D71 Red). This gives the UI a sleek, sci-fi HUD feel while maintaining clean visual hierarchy.
High-Impact Showcase Format:
By sweeping through macro views of the command center down to granular telemetry cards, the video effectively acts as a dynamic showreel of your UI vision, immediately communicating high quality and technical capability to challenge judges.
Really cool 🔥
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Apex Live is a futuristic Formula 1 broadcast UI designed for live event experiences. It transforms race data into an immersive broadcast system with animated standings, circuit tracking, driver telemetry, live event overlays, and multiple viewing modes. The project explores how interactive motion and real-time data can enhance the future of sports broadcasting.
Reimagining Blitzball as a Modern Sports Broadcast
I’m Wayne Porter, creative designer and owner of Porter Design and Motion. For the Rive Broadcast Challenge, I wanted to combine several interests into one project: motion design, sports broadcasting, interactive systems, and Final Fantasy X.
Inspired by studios such as Drive Studio and Territory Studio, along with designers Jacob LaPlante and Justin Peterson, I reimagined Blitzball as a modern broadcast experience for the fictional Spira Sports Network.
Blitzball is an intense underwater sport that combines elements of water polo and soccer. My goal was to create a broadcast package that felt energetic and futuristic, while remaining clear, readable, and functional.
The project began with the network identity and main scoreboard. From there, I developed a connected system that included:
A primary scoreboard
A compact gameplay score bug
A player statistics graphic
Three lower-third variations
A full-screen matchup takeover
Consistency was important throughout the package. Each element shares the same visual and motion language, allowing the graphics to feel like part of one complete broadcast system.
Rive’s state machines, view models, and data binding allowed me to create reusable layouts, player-specific information, animated score updates, and multiple graphic variations without treating every screen as a separate animation.
This project pushed me to think beyond individual motion pieces and focus on the entire delivery as a functional product. It was a fun opportunity to explore how design, animation, and interactive logic can work together to create a believable sports broadcast experience.
Thanks for taking the time to view my submission, and good luck to everyone who participated in the Rive Broadcast Challenge.
This is the in context example.
We were glad to create the @Rive animation, design support, and Rive engineering behind 4 activations, live at the 2026 EuroLeague Final Four in Athens.
Built for ASB GlassFloor's LED court, running at 7168x3840, broadcast live directly on the court itself with Adidas, Motorola & Etihad on board.
A walkthrough of the 4 games and some behind the scenes shots
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