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Before I did my previously shared Pokemon Pocket-style interactive card pack opening, I made Kitakuji a DIGITAL ICHIBAN KUJI TICKET you can peel yourself.
The interaction is fully responsive, with data-driven ticket artwork and prizes. I’ve broken down the interaction, the Rive setup behind it, and some of the design decisions in the full case study.
Check it out! I'd love to hear any feedback ✨
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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This project was an instant yes!
I got to work with the dreamiest new brand and photography to translate into a more editorial Shopify experience for a beauty subscription brand. Even better, the new site helped increase subscriptions and hit the brand's goal after launch. ✨ Check it out.
So cool!
I gave myself one goal: build a hospitality website I hadn't seen 50 times before.
This became Khattar.
A dark, atmospheric sanctuary experience built around one idea: the interface should get out of the way and let the place create the emotion.
So I experimented with oversized imagery, restrained typography, dark/light modes and a responsive system that carries the same feeling from desktop → tablet → mobile.
And yes — I built the actual thing too.
I'm going to be doing a lot more of these: original websites, experiments and redesigns of websites I think could be much better.
Khattar case study
what was the hardest part of making the space feel atmospheric?
What if a salvage company's brand looked like it belonged in a stamp album, not a treasure map?
Introducing BALEEN — marine salvage & shipwreck archaeology, built on vintage natural-history stamp DNA. Every object recovered, catalogued, provenanced.
Website here
