Le Secret, a spec film for Chanel Rouge Allure Laque, shade 83 Beige Secret. One shade, three ski...Le Secret, a spec film for Chanel Rouge Allure Laque, shade 83 Beige Secret. One shade, three ski...
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A Halloween type study. One line, eight typefaces, eight ghosts. Each frame holds the same words and composition while the letterform, palette and figure change, from blackletter to dot-matrix to brush script.
I designed every frame in Figma, then used AI image-to-video to hallucinate the transitions between them, so the type melts, drips and reforms into the next face while the ghost dissolves into smoke and re-forms. The result loops like a bad dream that keeps changing its mind.
Hiii! I joined the Contra x CapCut challenge, having never used CapCut AI before. I’d only ever edited videos manually.
After three days of struggling with prompts, inconsistent characters, and scenes that absolutely refused to cooperate, I finally found my story.
I'm working at my desk with my dogs when an alien crashes into my life and invites me to LA. We travel across the universe, I get beamed onto a stage, and for a moment, I'm living the dream.
Then I turn into an alien.
And get kicked out because NO ALIENS ALLOWED.
All that intergalactic travel to technically make it to LA. 😂
What happens when you give an old piece a dark mode and a pair of sunglasses? 🕶️
I took a piece from my portfolio and ran it through Krea 3 to see how far I could push it while keeping the original composition.
Before → light and daytime.
After → dark mode, with sunglasses.
Where it helped: quick edits that kept the composition intact, making it easy to explore a different mood.
Where I’d still go by hand: final color balance, lens reflections, and those tiny details that make everything feel intentional.
Before or after? Tell me which one you’d keep and what you’d edit next 👇