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Jan Jekielek, Senior Editor at Epoch Times called, and we answered!
Book Launch Campaign for "Killed To Order", a book exposing China's CCP's dirty tricks
It attained a New York Times Bestseller in the first week of launch, thanks to our series of videos for the book launch
Cinematic Storytelling, T-Studios x AkitheEditor got you.
Editor: Ajayi Olatomiwa (T-Studios)
Client: Epoch Times, Jan Jekielek
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Just launched a recent brand identity project that I successfully completed for CTRL+SHIFT.
Ctrl+Shift is a brand identity project crafted for a forward-thinking platform operating at the intersection of creative technology, culture, and media. Through events, talks, content, and community, the brand brings together artists, builders, and technologists to explore creative intelligence, generative storytelling, and coding as cultural expression.
Editorial and confident, the identity is unapologetically creative-first—slightly irreverent, opinionated, and culture-forward. Designed to feel like a living platform rather than a campaign, the visual language leverages glyph dithering, color halftones, 3D ASCII graphics, and surreal soft sci-fi imagery. Anchored by a pitch-black foundation with vibrant color tints as accents, the system creates a bold yet sophisticated presence for a community built around curiosity, craft, and future-facing creativity.
You can see full project presentation here.
Feel free to like, comment and follow, kindly appreciated.
This identity for CTRL+SHIFT is a masterclass in high-end positioning. Using 3D ASCII and glyph dithering creates that "editorial and confident" feel that moves far beyond basic decoration.
It’s a perfect example of using strategic clarity to build a living platform rather than...
Two directions for the same editorial brand.
One is a war correspondent's archive.
One is a propaganda poster that escaped the museum.
Neither is wrong.
That's the problem.
Ad 2 — ink, classical illustration, white space as silence.
The brand is a document.
Ad 3 — watermark grid, body in motion, sky as background.
The brand is a system.
One asks you to read.
One asks you to be watched.
MERIDIAN is being built in public.
Which version do you trust?
27 voted
51%
26 voted
49%
53 votes
Closed
Both looks great
Taste test 🎨
Same 2D scene. Different color direction.
One feels softer, more subtle.
The other is bolder, more contrasty.
At first, the stronger palette felt like the obvious choice…
now I’m not sure if it’s just too much.
Which one would you keep - and why?
60 voted
43%
80 voted
57%
140 votes
Closed
It depends on what the use case is, both of these options have legit arguments going for them
A for thinking/loading state
B for celebratory state
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