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Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Why LTX Audio-to-Video works so well for musical performances
For my AI music video Ricky Valance – “Sealed With a Kiss,” one of the main challenges was making the singer’s performance feel naturally connected to the original recording.
For these shots, I used LTX-2.3 Quality Audio-to-Video. I added the model from fal.ai to my Figma Weave workflow using its model URL and generated continuous clips of up to 20 seconds.
The longer duration was important. It allowed facial expressions, head and shoulder movement, breathing, and performance energy to develop naturally across complete musical phrases instead of resetting every few seconds.
In my experience, this workflow works especially well for:
• singers
• pianists
• guitarists
• drummers
• other audio-driven performances
LTX uses the audio as the foundation for the movement, helping the performer respond to the rhythm, dynamics, and emotional changes in the music.
It does not automatically guarantee perfect lip-sync or technically accurate interaction with every instrument. The final result still requires careful prompting, shot selection, editing, and continuity control.
But for musical performances, LTX-2.3 Quality Audio-to-Video is one of the strongest workflows I have tested. The movement feels driven by the actual recording rather than added randomly afterward.
When audio drives the emotion, it should also help drive the motion.
Workflow platform:
https://weave.figma.com/
Another recent edit with Splice that I had a lot of fun with. I loved creating this lofi vibe by combining 4k footage with vintage Sony Handycam b-roll. 🖤
I created a reel video for my Indian client, and he loved it. The beautifully edited video definitely engages and grabs attention quickly. My client provided me only with his audio, and I created this using his voice alone.
