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Update on my entry, Five Lives of a Bronze (Standing Parvati, Chola, ca. 920, The Met 57.51.3): the 30-second walkthrough and the five final stills, in order. The mould, the procession, the burial, the plough, Gallery 240.
Entry: https://contra.com/community/faBQnK4X-five-lives-of-a-bronze-standing
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Hey guys wishing everyone good luck with their amazing creations
Hey wanted to share a few process screenshots inside Flora, for "L'empreinte" my submission for the Challenge.
If you want to check out the Video breakdown link is here!
The strongest idea here is that the object remembers us back. Turning a functional coffeepot into a record of touch gives the original piece a second life without losing its identity. The imprint becomes evidence of a relationship, not just wear.
THE RISING
What if four paintings from different centuries could tell one story?
For the Flora Museum Challenge, I wove together Poussin's "Blind Orion," a stone Ganesha sculpture, Watteau's "Mezzetin," and Thomas Cole's "Titan's Goblet" into a single journey.
A blind hunter searches for the sun through trials of humility, listening, and endurance proving that seeing isn't always done with eyes.
Created using Flora AI Canvas with dozens of iterations on narrative structure, visual poetry, and Baroque cinematic language.
Met Archive References:
Nice !!