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A stark, cinematic cover for Karajan’s Obsession: bold white and gold typography set against a black field, anchored by a glowing disc that evokes both vinyl and halo. The conductor’s silhouette, caught mid‑gesture, embodies the relentless pursuit of perfection that defined Herbert von Karajan’s life and legacy.
The network for creativity
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Creatives on Contra have earned over $150M and we are just getting started
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Crafted a few surreal frames with GPT 2.5 Sunburst, then brought them to life using Seedance's multiframes feature.
I’ve been razzmatazzing and flibbertigibbeting with Claude Code and somehow ended up with a new yels.dev.
It finally feels like me: simple on the surface, slightly complicated underneath, and very much alive.
You can see who I am, what I do, the work behind Herodot, RaptorLabs, CyberLink Security and Solmint, plus a selection of projects I’ve built across AI, cybersecurity, Web3, product systems, education, archives, and experimental digital spaces.
Built to be explored
The simple-on-the-surface, layered-underneath idea comes through so clearly in the presentation. I especially like how the project archive turns the site into something to explore rather than just a résumé of links.
I recreated an ElevenLabs ad shot-for-shot using AI. Same script structure, same camera moves, same phone UI interaction, different product, different character, built from scratch.
Here's the part people usually skip when they talk about "using AI" for video:
I didn't type one prompt and get a finished ad. I found a look I wanted on Pinterest, ran it through ChatGPT to turn it into a structured character description, then used Nano Banana 2 to build a full character sheet, so she stayed consistent across every single shot. That consistency problem is the actual hard part of AI video; anyone can generate one great frame.
From there, each scene was generated in Seedance 2.5 through Magnific. The phone UI you see her interacting with? I designed that myself, frame by frame. Motion graphics and text overlays went through After Effects. Sound design and SFX in CapCut. The voice was ElevenLabs v3, also run through Magnific.
Six tools, one continuous pipeline, one consistent character, one final cut.
This is the actual value I bring to clients, not "AI made a video," but knowing how to direct a full production through AI: casting, consistency, UI/UX detail, motion, sound, all held together with intent. That's the difference between content that looks AI-generated and content that just looks good.
If you're a brand wondering what's actually possible with AI production right now, this is a good example of the ceiling. Happy to walk anyone through how it's done.
