THE JOURNEY TO RETURN is essentially a coming-of-age story - a journey back home by someone who h...

THE JOURNEY TO RETURN is essentially a coming-of-age story - a journey back home by someone who h...THE JOURNEY TO RETURN is essentially a coming-of-age story - a journey back home by someone who h...

The network for creativity

Join 1.25M professional creatives like you

Connect with clients, get discovered, and run your business 100% commission-free

Creatives on Contra have earned over $150M and we are just getting started

Back to feedPost

Himangshu • MT37 Studios

• 11h

THE JOURNEY TO RETURN is essentially a coming-of-age story - a journey back home by someone who has spent years longing for it. A personal tale about maturity, happiness, melancholy, and that strange feeling of finding your way back to something you thought you'd lost.

The film started, as most of my projects do, with a little procrastination.

I was browsing the The Met, came across John White Alexander's Repose, and immediately started wondering about the girl - Who is she? Where is she? Is she asleep? Dreaming? Is she happy? Where does she live?

Then The Waterfall paved the way for the visual journey, and suddenly I had my hook.

From there, I collected the artworks and artifacts, sketched the first storyboard on paper, worked out the camera movements, transitions and character dynamics, and then built the complete storyboard with GPT.

After a LOT of testing - photoreal, animation, stop-motion - I finally landed on an organic, painterly animation language. That felt right for this story.

Then came the actual production: character sheets, object references, shot lists, Seedance, Veo, Nano Banana, Flora, After Effects and Premiere.

The biggest lesson? AI video production is very much a one-man army job. You become the director, AD, cinematographer, VFX artist, editor, sound designer and sometimes even the person arguing with yourself about the budget.

And with a limited budget, planning becomes everything.

I used Veo 3.1 and Seedance 2.5 as my main weapons of creation, with Seedance doing most of the heavy lifting. I tested cheaply first - if a shot worked at lower resolution and shorter duration, then I pushed it further.

I also deliberately chose a stylized painterly look because it gave me a little room to cheat - especially at lower resolutions.

Once the shots were locked, it was time for the final layer: custom animated paint textures, film grain, compositing in After Effects, and the final edit and sound mix in Premiere.

And that's pretty much the journey.

Hope you like it. Thank you.

floramuseumchallenge AI Art Creative Direction Video Editing Adobe After Effects Adobe Premiere Pro FLORA

Himangshu • MT37 Studios

• 11h

Ladscape.jpg: The Rocky Mountains, Lander's Peak by Albert Bierstadt (1863) https://www.metmuseum.org/art/collection/search/10154

Protagonist.jpg: Repose by John White Alexander (1895) https://www.metmuseum.org/art/collection/search/10065

Wine pot.jpg: Pot (Edo period, 1820)

Grace Abuachi

• Aug 31

Slowly, Ai is beginning to take over the market..

This is nice, a good job indeed

retrofuturism

Kristine Vilnite

max

• Aug 14

Is AI finally good enough to shoot a product demo on its own, or human touch is still needed?

I generated a 20s product demo with Seedance 2.5 in a single take providing it with one product image reference and an example video transcript (posted in the comments). Do you disclose...