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100 Summers Later reimagines an 1892 seaside painting one century later, in Rio de Janeiro in 1992.
I kept the original composition, while translating the scene into Brazilian beach culture and the nostalgic language.
Created with FLORA for the #FLORAMuseum challenge. @floraai
Name: IPANEMA 1992
The century jump to 1992 Rio is a great choice. Keeping the original composition while translating it into Brazilian beach culture makes the nostalgia feel specific and alive.
I totally agree!!
That's awesome! It’s wonderful to recreate that image from a different perspective 100 years later while keeping the original composition intact. This artwork creates a 100-year connection between two images.
The intention was to evoke nostalgia, yet still offer a perspective on the setting that is completely different from the original :)
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I set out to create a piece that bridges the gap between childlike wonder and the secret, unseen magic of nature.
This creature isn't just a bird, it’s the spirit of curiosity itself. I brought it to life with vibrant, bioluminescent pastels and soft, luminous light to make the forest feel like a place where dreams gather when no one is watching. Its wide, expressive eyes and gentle head tilt are meant to invite the viewer into a personal moment with the impossible asking us to pause, look a little closer, and remember the quiet magic hidden in the world around us.
The bioluminescent pastel palette sounds perfect for this idea. Turning the bird into a spirit of curiosity gives the childlike wonder a clear, memorable center.
My entry for Flora Museum - Where Art Grows Challenge on Contra! 🌸
I designed a logo where art truly grows - blooming peony emerging from light.
Check it out here:
#GraphicDesign #LogoDesign #FloraMuseum #Contra
flora - Museum Where Art Grows
Concept: The letter 'f' is deeply rooted, nurturing a new glowing sapling. It shows that in Flora Museum, art doesn't just hang on walls, it grows.
For Flora Museum Challenge
#floramuseumchallenge
Inspired by Vincent van Gogh's The Potato Peeler (1885), The Last Worker imagines a distant future where automation has replaced almost all manual labor. One human continues the traditional act of preparing food by hand, even as machines perform the same task with perfect efficiency.
The work explores the tension between technological progress and human craftsmanship, asking what remains meaningful when machines can replace the act of making. I preserved the quiet, earthy atmosphere of Van Gogh's original while imagining its emotional afterlife in an automated world.
THE ORIGINAL: THE FINAL I MADE:
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