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Are creators being replaced by AI? 🤔
As a 3D artist, I’ve definitely wondered about this.
AI can now generate visuals, concepts, animations, and so much more in seconds.
But is it replacing creativity—or just changing how we create?
I’m curious what other creators on Contra think.
Are you worried about AI replacing your work, or are you embracing it as another tool?
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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1st day on Contra! 👩💻 Working on a creating an engaging short form IG reel featuring a miniature villa with seaside views 🌊 work in progress....
👋 If we haven't met before: my name's Katya I specialize in AI Video and Ai Avatars for social media content and ads to give you greater visibility with content at scale.
P.s. Although I'm new to Contra I'm not new to AI or business so pls feel free to reach out to get started on your Ai project.
Welcome to Contra! That floating villa shot is a strong opener for a reel. Since you're doing AI video and avatars at scale, what's been the trickier part to nail consistently, keeping the avatars looking believable across scenes, or getting the motion to not feel stiff?
Sound design for @casamigos , Official Supporter of the @fifaworldcup 2026™.
A Rube Goldberg chain only works if you believe the physics, and most of that belief lives in the #audio. Every spring release, pivot, scissor snap and salt scatter had to land on the exact frame the #cgi did.
Thanks to Sam at @itsplaydate for bringing us in on this one.
#c4d #3danimation #rubegoldberg
The salt scatter landing exactly on frame is the detail that gets me, that's the kind of timing that takes way more takes than the final 16 seconds let on. How many passes did the chain need before physics and sound actually lined up?
A sound and music exploration we wrote for BUCK's Tiffany & Co. holiday film. Our version wasn't the one that ran, but we still think about it.
Orchestral and cinematic, built around celesta carrying the melody with a string ostinato driving the rhythm underneath the first half. The celesta was the whole idea: it sits right between a music box and a bell, which felt correct for a film about a gift arriving out of nowhere.
Film by BUCK.
The sfx sounds great