A logo is the starting point of a brand identity. What interests me just as much is how that identity works beyond the original design.
For Genesa, I explored how the logo, custom typography, and three coloured hexagons could carry across different applications, from apparel and merchandise to packaging and architectural signage.
The challenge is to maintain a consistent visual identity while adapting it to different materials, surfaces, and environments.
I created this short presentation to bring those applications together and show how a single design can become a recognizable brand across multiple touchpoints.
For me, good brand design isn't just about how a logo looks on a screen. It's about how well it works in the real world.
This is exactly how identity work should be sold, Andre. The packaging shot with the Genesa bag and box together shows those three coloured hexagons doing their job at real scale, not just on a slide. Good brand design isn't just about how a logo looks on a screen is the line...
Good logo design has to take into consideration how that logo will work at different sizes and across different applications. And I believe it's our job as designers to help clients understand that.
I've had many situations where a client wanted to include fine details,...
ESE GIN — Between the Dunes | Visual Identity & Packaging
ESE GIN draws its curves from the dunes. The signature S catches the light in sculpted olive glass and leaves its imprint in wax.
This is gorgeous, Maya — the sculpted olive glass with that S catching the light is such a clever way to carry the dunes into the bottle itself. And the wax seal imprint is a beautiful finishing touch, it gives the whole thing a crafted, almost apothecary feel. Really cohesive...
These designs were made by the AI in my upcoming design tool for designers.
I don't know which is better, help me decide.
For those wondering where the remaining designs are, I'll drop it in my next post.