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A strong logline sets the direction for an entire screenplay. It introduces the protagonist in a clear and concise way, the main conflict, and what’s at stake. This is one of the first elements I refine when developing a film or TV script, because it keeps the story focused from start to finish.
Here is a clip from 'Masquerades of ANIEDO' , a Soap opera (260 episodes - 20 minutes each) written for AFRICA MAGIC and got a nomination for the AFRICA MAGIC VIEWERS CHOICE AWARD.
https://www.youtube.com/watch?v=BUkOIkM0Bh0
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🎬 Introducing: THE CURSE OF THE FORGOTTEN
What happens when forgotten secrets refuse to stay buried?
I recently created The Curse of the Forgotten, an original African-inspired supernatural horror trailer, using AI video generation and cinematic storytelling.
The creative process involved developing the story concept, building suspense across five scenes, generating cinematic visuals with Ai tools, and bringing everything together through editing and sound design in CapCut.
My goal was to create more than just AI-generated clips. I wanted to build an immersive cinematic experience with atmosphere, tension, and a compelling storyline.
This project allowed me to explore AI filmmaking, creative direction, visual storytelling, and cinematic horror production.
I'm excited to share this piece with the Contra creative community!
I'd love to know: What makes a horror trailer truly memorable to you the atmosphere, the storyline, or the final reveal?
#AIFilmmaking #AIVideoCreation #CinematicStorytelling #CreativeDirection #ContraCommunity
Linea, a Video.js 10 skin
I designed Linea for the moment you miss a line and want it again from the first word. Its seek wheel has one notch for every spoken line, making speech the unit of navigation. Repeat replays the current line, Next starts the following line, and Step pauses after each line until you continue. The caption window highlights the current word, connecting navigation with what you hear and read. I carried the wheel’s mechanical character through black glass, machined aluminium and one ember light, giving the player the form of a physical instrument. Keyboard control, 44 px targets and an upright phone layout support the same actions across inputs and screens.
Film: Tears of Steel (CC BY 3.0, Blender Foundation).
09 XL — From a Portrait to a Visual Story.
This one started with a simple black-and-white portrait, but I wanted to give it a little more personality. I began experimenting with contrast, grain, and shadows to build a raw, almost cinematic atmosphere.
Then came the fun part — playing around with typography, adding the black strip across the eyes, and using minimal details like 09 and XL to give the composition a subtle editorial feel.
Once the poster came together, I placed it in a real-world bus stop mockup to see how it would live outside the screen.
A little experimentation, a few happy accidents, and lots of tiny adjustments later — this was the result.
The black bar across the eyes with 09 and XL on the sides turns a simple portrait into a bold poster, and the bus stop mockup shows it works at street scale. Is the grain added in Photoshop or part of the original photo?