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One of the animations I worked on while creating the case study for the pitch deck project I worked on for the Botswana Stock Exchange H2 2025. Will be uploading the full case study soon. Tempted to revisit this and add sound to it 🫠
NB: Some names, titles, and identifying details in this project have been altered for confidentiality but the work and outcome shown are real.
The network for creativity
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A few things I’ve been working on lately.
Motion graphics, animation, design, illustration and a bit of everything in between.
This reel brings together selected work from different projects and clients, showing some of the styles, formats and challenges I’ve worked on recently.
Hope you enjoy it.
A versatile and polished reel.
This is why I storyboard before animation.
At that stage, we can still move scenes around, change the story, and try a different composition without rebuilding the animation.
Once the timing, transitions, and voiceover are connected, the same change can become a much bigger job.
I prefer agreeing on what each scene needs to communicate first. Then I can focus on how it moves.
Storyboard first. Animation second. Fewer “small changes” that turn out to be very large ones :)
A finished UI moment from my Mesa project.
#MotionDesign #Storyboard #SaaS #UIAnimation
KROK — Unpredictable Scrap! 🐸🤖
Krok is a chaotic and inventive frog who lives in a hidden creative workshop inside an abandoned industrial building. He sees possibilities where everyone else sees junk.
For the Cantina Challenge, I created Krok’s pilot episode: a 60-second animated short where his improvised engineering turns a pile of discarded metal into a homemade transforming robot.
The goal was to explore how a character can be more than a visual design, giving him a recognizable personality, environment, sense of humor, and a story engine that can generate future episodes.
Krok’s creative philosophy is simple:
Build first. Figure out why later.
The episode combines character animation, visual comedy, sound-driven storytelling and a handmade scrap-metal aesthetic to introduce the character and his chaotic world.
This project was created entirely in Cantina, from character development to the final pilot.
