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STAGE VISUAL | MOTION GRAPHICS | LED CONTENT | MEDIA ART
I create visual experiences for the stage.
From concerts and performances to exhibitions and live events,
I design visual content that brings stories, atmospheres,
and imagined worlds to life.
*
HAVE A PROJECT IN MIND?
If you have a brief, setlist, references, timeline,
or budget, feel free to share them with me.
Not everything figured out yet? That's totally fine.
We can develop the visual direction together.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Tried creating this gradient effect I have been seeing a lot these days in After Effects.
Which one do you like?
26 voted
76%
8 voted
24%
34 votes
Closed
both looks great!!
From a 40-Minute Client Call to a Working Interactive Prototype in Hours (5x Faster with AI Agents)
Going from an initial client briefing to an approved wireframe usually takes 3 to 7 days of manual note-taking, layout debates, and generic copy.
In this video, I walk through my exact 3-phase workflow to cut that timeline down to a single afternoon using raw call transcripts and custom AI agent
Descript MCP Workflow
Instead of scrubbing through the timeline manually, I used the Descript MCP with an AI agent to instantly generate accurate YouTube timestamps, description and video titles directly from the project context — killing post-production busywork in seconds.
YouTube Video Link: https://youtu.be/lI3sCyUabHQ
Descript Video: https://share.descript.com/view/7AlW3niOPfx
Descript MCP Session Workflow: https://www.loom.com/share/848564eb31074c43b8f0d2068460e1be (I used Google Antigravity, which doesn't have a shared chat option)
the blue prototype card looks cool
This was one of the most fun AI projects I’ve worked on lately.
For Tecnofas, we created a full clay-style animation, literally building the visual language around that handcrafted, stop-motion look, but produced with AI.
The video above is a compilation of some of the scenes we developed for the project.
The creative challenge was to explain a very technical difference in a way that felt simple and visual: comparing a traditional retrofit construction process with a ventilated façade system, which can reduce the number of workers needed on site by up to 60%.
Tecnofas is the kind of client that really enjoys experimenting with new visual languages, so we had a lot of freedom to explore the concept, test ideas and push the AI workflow beyond a standard corporate animation.
That freedom made the process especially enjoyable. Instead of using AI only to make production faster, we used it to create a visual style that would probably never have been the obvious choice for this kind of industrial communication.
