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This was my very first Spec Ad ("Serenade"), inspired by Edvard Munch’s The Kiss.
In the process, I discovered the core magic of AI video: Surrendering creative control.
When morphing from an oil-painting style to a crisp commercial look, I realized that if you leave the space between the Start Frame and End Frame open (with minimal prompting), the AI hallucinates transitions that no human editor would think of.
It turns a watercolor brushstroke into a piece of gum; a texture into a feeling. That "glitchy" fluidity is not a bug—it’s the feature.
The Workflow:
Midjourney: Generating the "Munch-style" texture vs. "Indie Commercial" look. Then Let the model bridge the gap with its own imagination.
👉 Watch the full 30s ad in my Profile section!
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Related posts
The Submariner Cinematic AI Product Showcase
Kittl, Adobe Premiere Pro (Audio/Polish)
Concept & Execution:
For this challenge, I wanted to push the boundaries of luxury product storytelling using generative AI. The goal was to create a "scroll-stopping" cinematic ad for a high-end timepiece that feels indistinguishable from a professional brand campaign.
I utilized Kittl Video to generate the core sequences, focusing on macro-detail textures and a "blue-gray" cinematic color grade. Using the Kittl Typography Engine, I integrated minimalist technical callouts—such as the "Triplock System" and "Calibre 3235"—ensuring the design stayed refined and premium. The project demonstrates a seamless workflow between AI-generated motion and intentional typographic hierarchy.
https://app.kittl.com/project/cmmlwco3771pd0ib0ei6aukug
This was a case study I developed for my students during my AI image course at Helsinki Summer University.
Together we explored how an editorial visual language can continue consistently from image to image and further into moving image within AI-based visual production. The focus was not the technology itself, but authorship — how AI can be used consciously as part of a creative process.
For me, AI is not about generating images, but about how visual worlds are directed, shaped and continued by the maker.
Alongside my artistic work, I now offer trainings as well as commissioned visual and animation projects for clients working with AI in their visual production.
Eden
Laura Rautjoki & AI, 2026.
🔥 Dropped my entry for the @Kittl AI Video Challenge, and it hits different.
Introducing BRUISE — Drip Different. 👟💥
From candy chaos to neon-soaked streets, this sneaker brand reveal was built entirely using AI - concept, visuals, motion, sound design: every frame, every beat, every drip.
This is what happens when creativity meets AI. No limits. Just vibes.
Love the colors
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