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The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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retrofuturism
Share your favorite designs from the past exploring the distant future. Or your own take on the aesthetic 🚀
halftone
Dots. Texture. Grain. Let's see your designs using the halftone technique.
Midjourney
Creatives are showing off what they're making with Midjourney.
colorgrade
Video editors sound off: How do you enhance the mood of your video in color grading?
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I wanted to create something that felt like a lost classic American historical epic but with one major limitation: there is nowhere to hide behind a cut.
The Last Blade is a continuous one-take sword battle where the camera moves directly through a massive medieval battlefield, following one warrior from the muddy front lines, through a castle gate, into a chaotic courtyard, and finally into a final duel.
Every movement was designed to feel physically connected. Sword clashes, charging horses, collapsing structures, smoke, rain, fire, and close-quarters combat become natural moments for the camera to move through the environment without breaking the shot.
The challenge wasn't simply making a big battle.
It was asking:
How cinematic can a battle feel when the camera is never allowed to cut?
I wanted the final result to feel like a scene from a huge old-school Hollywood sword film raw, physical, dramatic, and completely immersive — while pushing Seedance 2.5 to create the kind of continuous camera choreography that would normally require an entire production team and dozens of shots.
Nice fight!
If there’s one thing I love about AI adverts and video production, it has to be experimentation.
I’ve been working on an advertisement for PickPeas, and this right here is the first draft.
There’s still a LOT I want to fix and enhance. The pacing, a few transitions, some character details, and a couple of visual moments can definitely be pushed further.
But honestly?
This already feels about 80% complete.
And that’s what I find so interesting about working with AI for video. You can start with a rough idea, experiment with different visual directions, test a sequence, break it, rebuild it, and suddenly you’re looking at something that actually feels like an advert.
The goal isn’t to get everything perfect in the first generation.
It’s to experiment enough to discover what works.
This is just Draft 01. 👀
I’ll share the final version once I’ve pushed it further.
What do you think of the direction so far?
Brilliant!
I built a one-take journey through the impossible — a story about an astronaut who keeps moving forward as reality constantly changes around him. I wanted to explore how far a single continuous shot could take you, without relying on cuts to create spectacle or surprise. The idea was to make something that feels unpredictable, playful, and cinematic, while pushing Seedance 2.5 to its limits.
@CapCut #CapCutCpp #Seedance25 #AIFilm #AIFilmMaking #AICinema #OneTake #GenerativeAI
Hello Vishnu, they gave me 5k credits and spent it in 3-4 hours. I tried to buy more but I couldnt. Do you know why? I see that you have 13k credits. Great job on this btw!