I built a new technique in @FLORA, my third one actually, I'm enjoying this feature way too much. For AI filmmakers: You generate your one beautiful frame. Then you need the rest of the scene, the wide, the reverse, the insert, the transition to the next scene. So I built Scene Continuity Lock, one input, 4 outputs -Establishing wide -Reverse/reaction -Detail insert -Transition to the next scene. All locked to the same visual language. It's not random angles. It's about editorial continuity, the shots an editor would need to build a scene. Some shots you might throw, some you might keep and regenerate. But that's the process, you're directing, not just generating. Try it here: https://app.flora.ai/techniques/scene-continuity-lock

How do you know when it's time to rebuild a portfolio?

For me, it was a slow realization. My work, thinking, and vision had quietly outgrown the site - and at some point, I couldn't ignore it anymore.

The problem wasn't the design. It was that I kept growing, and the site didn't.

So I finally rebuilt it. From scratch. No templates, no shortcuts - Framer for structure, Rive animations woven throughout. I wanted the site itself to feel like a piece of work, not just a shelf for work.

It's live now 👉 deniskaita.com

Building it also made me think harder about what actually belongs in a portfolio. Because a rebuild forces you to make cuts. And cuts are uncomfortable.

A few questions I kept coming back to:

→ Does this project still represent how I think? → Would I be proud to walk a client through this today? → Is it here because it's good or because I spent a lot of time on it?

That last one is the hardest.

Would love to know how you approach this. When does a project stop earning its place?

Questioning what it's working and what's not is always a 10/10 start!