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WELP.
The dragon I created for the Envato challenge has officially hijacked my life. He walks across my desk now. He hovers over my shoulder while I edit. He has opinions.
Jokes aside, I liked this project too much to stop, so I made a making-of of my making-of. 🐉
My original...
The network for creativity
Join 1.25M professional creatives like you
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Creatives on Contra have earned over $150M and we are just getting started
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How would the past advertise the future?
That's the question I started with while making this.
Instead of designing another flying car or chrome robot, I imagined a product from a future that believed tomorrow would always be a little more wondrous than today.🙃
A retro-futuristic concept built with GPT and Envato, inspired by yesterday's optimism.
What do you think the future is missing today?
The future does NEED wonder more than anything haha. Love the post!
I built an archive of things that quietly stopped being everyday...
The phone I used to call a classmate on to ask what our homework was, because there was no other way to find out. The Tamagotchi I wanted badly as a child and never got. The camera you took photos with and then waited months to see whether any of them had come out at all.
I created this archive to bring these objects back into our memories, reflect on what they meant to us, and show them to a new generation that has never dialled a number with their finger or waited months to see a photograph.
I designed the project in Flowstep, then used the Flowstep MCP to bring it into Claude and turn it into a real, working webpage. I also tested copying screens between Flowstep and Figma with a simple Ctrl+C → Ctrl+V, and it worked perfectly.
Did anyone message you after seeing the Tamagotchi line specifically? That one hit different. The Flowstep to Figma copy paste working cleanly is honestly the detail I'd have expected to break first.
theatre rehearsals, but cinematic ౨ৎ ⋆｡˚
For La carta fue un error, I stepped behind the scenes to film the cast during rehearsals and transform the process into a series of Instagram Reels.
I captured the glances, gestures, movement and tiny in-between moments that bring a play to life, then shaped them into intimate, dynamic edits designed for social media ✶
shot + edited by me
written & directed by Camila Elejalde
performed at NAVE 73, Madrid
✧ filming
✧ creative editing
✧ vertical content
✧ Instagram Reels
The vertical reel format for something as inherently wide-stage as theatre is a smart translation. Did the cast or the director see the final edits before you posted, and what was their reaction?