Looks very nice! I'd say if you zoomed in the second picture a bit more so it reduces the amount of floor texture visible, the composition would sit a bit better!
This one was fun - a transitional kitchen with a waterfall island, brass hood, and full stone backsplash. The brief was simple but the pressure wasn't: the client needed to fall in love with a space that didn't exist yet.
That's the real job in architectural visualization. Not "make it pretty" - make it believable enough that nobody hesitates before construction starts.
Full case study is in my portfolio. Which angle sells the space best to you - the wide island shot or the tighter cooking-wall view?
The category default for AI products is dark backgrounds and gradient glow. Heron's audience is architects, so we built the visual system out of their working material instead.
Everything on the site is drawn as architectural line work. Plans, elevations, dimension strings, and annotation boxes styled like redline mark-ups, each one holding a genuine code reference rather than lorem text.
The system does two jobs. It reads as native to someone who spends their day inside Revit, and it supports the product story, because Heron works inside the drawing rather than beside it.
One of the best animations I’ve worked on recently.
I wanted to try something different with the visual style this time. More cinematic, more dimensional, and with a stronger focus on atmosphere and composition.
It’s always exciting when a project gives you enough freedom to step outside your usual style and explore something new.