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I engineered and deployed a 24/7 automated signaling system that streams real-time market insights for global oil benchmarks (WTI and Brent Crude) directly to a Telegram channel. The application integrates financial data feeds and parses incoming metrics through a custom analysis engine to identify market shifts.
To ensure maximum availability, I wrapped the automation logic inside a lightweight Flask backend web app and wired it to an external cron service. This infrastructure successfully bypasses standard server sleep cycles, keeping the bot actively listening and processing data around the clock. The entire pipeline is built defensively with error-handling loops to catch connection timeouts or malformed API data, isolating faults in the console shell without causing a system crash.
The network for creativity
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Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Hourfield is a 16-second 16:9 launch film for products that organise people's time: calendars, schedulers, booking and reservation apps, planners. Retype a few short lines, drop in your logo and rename the calendar's days and tiles (meetings, table bookings, classes, shifts): the week re-plans itself on screen and the film lands on your logo lockup. Our second version, Maréva, a fictional table-booking app, turns the working week into an evening of reservations on the same animation and timing.
Built end-to-end through the SVGator MCP server. The calendar that re-plans its own week, the orbit that swirls into a single dot and the lines centred by their real letter shapes (fonts measured, not eyeballed) were computed in Python and written straight into a live SVGator project as 780 editable keyframes; I directed every note and finished it in the canvas. Maréva was made the same way, on the same timeline. Everything stays a real layer: 50 live text layers, named elements (headline, logo, product-name, tagline) and one logo image animated in two moments.
Yes, there is a lot to edit: every line of the story, a whole week of calendar tiles, a palette in nine roles. A full rebrand takes longer than five minutes, and that is the honest trade: it shows how much a single SVGator file can carry, and how MCP makes a detailed, story-driven film practical to re-make, not just to watch.
Links:
▶ Template (SVGator)
▶ Demo video, A → B
Love the smooth flow and the text animation! Good luck!
Picture a consultant who takes 8 sales calls a week.
After each one comes the same routine: replay the recording, write notes, update the pipeline sheet, write the follow-up email. Call it 30 minutes a call. That is 4 hours a week, and on busy days the follow-up slips to tomorrow.
I built an n8n workflow that takes that routine away:
→ Fireflies records and transcribes the call
→ As soon as the transcript is ready, AI writes a summary, the open questions, the next step and whether the prospect is ready to go ahead
→ A follow-up email that fits that outcome is saved in Gmail drafts, addressed to the person on the call
→ The call is logged in Google Sheets and the notes land in your inbox
Nothing is sent automatically. You read the draft, change a line if you want, and press send.
For that consultant, 4 hours of admin a week turns into a few minutes of reading, and every prospect hears back the same day.
I tested it on a real recorded client call and have submitted it to the n8n template library as a free template. If you want it set up for your business, send me a message.
Shapeshift is a looping product-carousel ad I designed as a reusable template for any brand with four products to show (flavours, colourways, a menu), made for Instagram and paid social. Every piece is a named layer: retype the text, drop your photos into the four product slots and recolour, and the motion stays the same. Swap in a different shape set (soft, Mughal or geometric) and the same timing takes on a new personality.
I built it with the SVGator MCP. I came up with the concept and art-directed the motion, colours and every rebrand, while an AI assistant made the layer edits through the MCP. Every version in the video (vivid, light, the Bunsmith burger rebrand and the Mughal shapes) comes from that same file.
