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Complete production Trailer for a short documentary film in vertical format 🎬
Final Chronicle is a short documentary film that portrays the 2022 FIFA World Cup final between Argentina and France from an urban and emotional perspective. Far from the stadiums, the film immerses itself in the streets of Buenos Aires to capture, directly and viscerally, the collective euphoria following Argentina's victory.
Official Selection Festivals:
Beausoleil Côte d'Azur International FICTS Festival du Cinéma Sportif (2024)
Lift-Off First-Time Filmmaker Volume 7 (2025)
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This project was created in collaboration with Onda Studio and Gavin Portillo.
Focusing on the 3D visuals and production, including renders and motion content, and supporting the studio's overall creative direction in this matter.
This project also received a Shortlist Award of Digital Design at the 2026 CCP Festival.
theatre rehearsals, but cinematic ౨ৎ ⋆｡˚
For La carta fue un error, I stepped behind the scenes to film the cast during rehearsals and transform the process into a series of Instagram Reels.
I captured the glances, gestures, movement and tiny in-between moments that bring a play to life, then shaped them into intimate, dynamic edits designed for social media ✶
shot + edited by me
written & directed by Camila Elejalde
performed at NAVE 73, Madrid
✧ filming
✧ creative editing
✧ vertical content
✧ Instagram Reels
The vertical reel format for something as inherently wide-stage as theatre is a smart translation. Did the cast or the director see the final edits before you posted, and what was their reaction?
I engineered this edit for a high school prom recap that needed to capture two completely different moods in a single, fluid video — balancing high-octane event energy with an unexpected visual card sequence.
The entire visual sequence — split-screen layouts, speed ramps through the crowd, and frame-matched cuts between the dance floor and the surprise card reveal — was mapped frame-by-frame in Premiere Pro, fine-tuning the motion curves and whip pans so the shift in tone felt natural and intentional. Film-grain textures, and heavy sound design — syncing shutter clicks, risers, and sub-bass impacts to every single cut. Raw event footage to a dual-style cinematic edit, built to keep eyes glued to the screen.
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