Does your team move the same job between documents, spreadsheets, and several tools?

That is the kind of product problem I like working on.

With CastGenX, I’m organizing podcast production around one episode, with connected workspaces for the steps from script to delivery. I led the product and UI direction, worked through reusable components in Figma, and used Claude’s guidance during development. The public tour also presents TypeSafe Jev quality feedback within the workflow.

The same design approach could help a content team manage approvals, an agency build a client workspace, or a founder turn a manual service into an app.

We would start by mapping your current process, identifying the costly handoffs, and choosing a focused first version. From there, I can help design the interface, implement the frontend, and explain the product on its launch website.

CastGenX is currently in pre-launch; you can see the product direction in my case study.

Message me on Contra with three things: who uses the workflow, where it gets stuck, and what a better result would look like.

Case study: https://contra.com/p/UQqRQR6Z-cast-gen-x-one-episode-one-connected-workspace

#availablefornewprojects #WebDevelopment #UIDesign

building everything around one episode is smart, thats literally how podcast teams think about their week

"Morta" Morta, an animated short film. A tiny, gentle Death walks through a European old town, watching birds and looking into shop windows, while the people around her stay unaware of who she is. Morta is the first film in "Little Fears", a planned series about the things we are afraid of, told soft. I wanted to show that death does not have to be a monster. Children are often more honest about fear than adults, so I created a small, quiet character who is more curious about the world than frightening. Morta is meant to make a difficult subject easier to look at, and the "Little Fears" series will continue with other fears in the same gentle way. Concept, storyboards and character design by me, with AI-assisted animation. The whole production was built in a node-based editor, with a locked character sheet, so the character stays consistent across the film. Video clips were generated with Seedance 2.5 and Wan 3.0. The soundtrack was composed with Suno. I directed and edited everything myself. Available for: short character-driven films, book trailers and brand stories.

Wow, this is amazing.