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SÓLUM — A Precision Skincare Brand Built Around Mineral Intelligence
A skincare brand inspired by the precision and permanence of minerals.
SÓLUM was created around the idea that skincare can feel scientific, refined, and deeply connected to the earth. The identity explores the relationship between geological structures and modern skincare technology, creating a visual language that feels calm, premium, and trustworthy.
From packaging to campaign visuals, every element was designed to communicate clarity, precision, and care. The system uses structured layouts, refined typography, and a restrained visual direction to build a brand that feels timeless rather than trend-driven.
Project Focus
• Brand Identity
• Packaging Design
• Art Direction
• Visual System
• Campaign Design
Designed to show how a strong identity can transform a product into an experience.
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Wow! So beautiful and professional work!👌
Brand identity, logo, design and development for Anovia, a B2B tech startup that recently went through a big reconstruction
Nice work🔥👏👏
EARTHTURN is a ceramics brand I hope to open one day. I'm not a potter. So I used FLORA to help me build the whole branding, from physical product to brand identity mockup around the idea.
FLORA was where I pushed the ideas and a strategy I already had in my head, and tested it until it held. So I'd have more time for the part that actually matters: the brand strategy.
Here's what I kept reminding myself while making the visuals. You create images to sell a product, not just to look good.
So every image should have a job.
It might be a logo evolving: a turning wheel, then fire, then a vessel, resolving into the mark. I wanted the logo to show where it comes from, not just sit there finished.
It might be the slow rotation effect for poster or social media posts, you can realise this effect when someone throws on a wheel, the movement the brand is named after. Not a trending effect that looks cool but says nothing about EARTHTURN.
It might be the close-ups images: the material, the pattern, the piece from different angles. A customer buys what they can see clearly. Pretty from a distance doesn't sell, texture you can almost feel does.
It might be the packaging shots that show the foam and wrapping: the piece protected, not a bare pot sitting alone in a cardboard box. You're not just selling a vase. You're selling care, and a product that arrives whole and unchipped.
That's what making images for a brand really means, not grabbing whatever composition looks nice and calling it done. If you can't say why a visual serves the brand, it's decoration, not design.
Building the full brand system before the pottery skills even exist is a bold order of operations. Now that EARTHTURN looks this real, does it make you more likely to actually go learn the craft, or is this more about seeing the idea through as a design exercise?