“I replaced the artist’s head with a soup can to explore how fame can flatten identity. Warhol ma...“I replaced the artist’s head with a soup can to explore how fame can flatten identity. Warhol ma...
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“I replaced the artist’s head with a soup can to explore how fame can flatten identity. Warhol made the can famous; the can returns the favor by becoming the artist. It’s my way of saying that pop culture eventually loops back on itself — and the line between creator and creation gets deliciously blurry.” Rick London-Stetelman (Rick London)
People sign up for a craft class because they want to make something real.
Handsel's home page shows exactly that: as you scroll, one bowl goes from a lump of clay to a finished, glazed piece, step by step, and the last card names the maker: you. It sells the experience before anyone reads a price.
Try it at https://handsel.framer.website
Who is the art director when you are a one person studio?
Me, apparently. I pick the concept, argue with myself about it, change the name three times, and then critique my own logo at midnight.
Working solo means every decision has my fingerprints on it. There is no committee to hide behind and no one to blame. It is slower in some ways and much more honest in others.
If you freelance, how do you give yourself useful feedback?
An animated extension of After the Portrait, my submission to the Recraft × Contra Archive Style Challenge.
Bronzino’s young man has always struck me as confident, slightly arrogant and unafraid of being seen. I imagined him stepping out of his formal portrait and into an evening of poetry, sharing, drinking and dancing with the boys—five centuries later.
This video adds movement to that world, keeping the painted surfaces, intimate atmosphere and blue glow of contemporary life.
Take a look at the full series and the idea behind it in my original submission: