If you only show final logos, you’re hiding the real work. Not every logo you see here was meant ...If you only show final logos, you’re hiding the real work. Not every logo you see here was meant ...
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If you only show final logos, you’re hiding the real work.
Not every logo you see here was meant to survive. And maybe that’s the point.
To arrive at one final direction, you have to go through many that won’t make it. This is what a process of thinking, testing and eliminating looks llike.
Searching for the right answers looks messy. But that mess is where the real value sits.
In the decisions that shape the final logo, not just the logo itself.
How do you make a construction brand feel consistent from a business card to a building site?
Brixon’s identity brings angular lettering, an assembled geometric symbol, and a lime, black, and white palette together.
I carried those elements into stationery, brand guidelines, team identification, social graphics, and site signage, then brought the system into motion with Adobe After Effects.
The connecting decision: keep the geometry and layout structure consistent while the logo details, messages, and application previews change within the animated panels.
My contribution covered brand design, graphic design, and motion design.
What draws your attention first: the wordmark, the lime palette, or the rotating symbol?
See the full Brixon case study. If you’re shaping a construction or development brand, I’m available for brand identity and motion projects.
Visual Identity for Miss Buns, a cloud bakery & patisserie bringing a delightful twist to personalization and joyful moments.
Check out the full project