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#Sounddesign for Baobab Collection, in collaboration with Carbon Studio. 🕯️
For Baobab’s Sacred Trees Mankono, Carbon built a visual universe that grows out of the candle itself. We shaped the sound to make that world feel inhabited, bringing together a warm savanna atmosphere, organic textures for every branch and leaf, and wildlife that arrives right on frame.
We’re excited to have contributed to this project and grateful to Carbon Studio for bringing Penrose Audio on board. 🤍
Sound design: Penrose Audio
Visuals: Carbon Studio
#sounddesign #motiondesign #luxurybranding #audiodesign #cgi #3danimation
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A festive world brought to life through #sound. 🎄
We reimagined a song from a curated list to complement Carbon Studio 3D #animation, blending subtle acoustic guitar notes with delicate #Christmas touches to create a calm, warm atmosphere that flows naturally with the visuals.
Thanks to Carbon Studio for bringing Penrose Audio on board for this project!
Sound: Penrose Audio
Visuals: Carbon Studio
Artist: Ian Post
Song: Skipping
#3danimation #music #sounddesign #cgi #vfx
Sound design for Casamigos Tequila, in collaboration with ItsPlayDate Agency. ⚽️
With the excitement of the FIFA World Cup 2026™ - Canada, Mexico and the United States as the backdrop, we shaped the sound to capture the energy of the stadium, bringing together crowd atmosphere, impactful details and carefully timed accents that move with every frame. We’re excited to have contributed to this project and grateful to ItsPlayDate for bringing Penrose Audio on board. 🤍
Sound design: Penrose Audio
#SoundDesign #Casamigos #FIFAWorldCup #WorldCup2026 #AudioDesign #PenroseAudio
That's great specially how everything manage together ❤️
• Oct 11
A generative ambient station of drones, rain, and distant thunder.
I built this project to test A generative ambient station of drones, rain, and distant thunder. The core engineering challenge was sustaining uncompromised 60 FPS rendering using Web Audio API while handling continuous user interaction without framework overhead.
WHAT I WAS TESTING:
I focused on two core engineering benchmarks:
Continuous algorithmic generative music that never repeats, with sub-bass drone layers
Atmospheric rain, vinyl static, and distant thunder audio synthesis
THE TECHNICAL SIDE:
Built entirely with native Web Audio AudioNodes. Oscillators tuned to just-intonation intervals modulate lowpass filters, while brownian noise generates random rain and thunder rumbles.
Everything executes in the browser using Web Audio API, Generative Ambient Synthesis, Binaural Noise Engine. No third-party frameworks, no heavy runtime bundles, and zero external tracking.
WHAT I LEARNED:
Audio clipping easily occurs when multiple generative sound layers peak concurrently. Implementing a master dynamics compressor node preserved acoustic clarity.
Finding the sweet spot between mathematical precision and frame budget took careful profiling, but the result runs at a steady 60 FPS even on modest hardware.
TRY IT YOURSELF:
The live build is deployed on my JSFiddle. Open it in your browser, test the controls, and observe the render response times.
If you are building high-performance 3D, physics, or creative web systems and want to collaborate, reach out here on Contra.
