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PAWS ACROSS THE PACIFIC
No plane, no problem!
Jin and his fearless Shiba Inu, Bao, chase a glowing route across China, beneath the Pacific, and straight onto the CapCut World LA stage, proving every unforgettable adventure is better with your best friend beside you ( Even if its a Dog).
😂 “I just hope Bao gets past security… because explaining why His plus-one has four legs might be harder than crossing the Pacific!”
What a wholesome concept Tom! 🐾 PAWS ACROSS THE PACIFIC - Jin & Bao chasing a glowing route to LA is such an adorable narrative. Love the "No plane, no problem!" hook and how you tie friendship into the adventure. CapCut World LA stage journey looks super cinematic!
Thanks @Sagar Nawaz
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I didn’t travel to LA… I created my own way to arrive. 🚀✨
Stepping into a world where creativity has no limits!
#CapCutWorld #CapCutWorldLA #1000WaysToCCW @capcutapp
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Delivered by express to CapCut World LA. A fluffy Pixar-style ginger cat mails himself to CapCut World LA in a cardboard box: the box rides a conveyor, gets launched by a tiny rocket, falls through stage spotlights and lands center stage, where the cat jumps out with a phone in his paws.
Stepping Through Art History to CapCut World LA 🎨✨ → 📍Audrey Irmas Pavilion
For the "Unexpected Arrival" theme, I wanted to blur the boundary between classic human artistry and next-gen AI filmmaking. Instead of a standard commute to Los Angeles, the journey pulls me directly through living, breathing masterpieces—from the swirling skies of Van Gogh’s The Starry Night and the crashing barrels of Hokusai’s The Great Wave, all the way to the iconic trapezoidal facade and barrel-vaulted ceiling of the Audrey Irmas Pavilion for CapCut World LA.
How I built it:
AI Generation & Continuity: Built as a connected 9-scene sequence using Seedance 2.5 inside CapCut, maintaining character consistency and fluid motion across completely distinct artistic styles and eras.
Editing & Polish in CapCut: Stitched and paced the transitions so each painting seamlessly morphs into the next dimension, combining keyframe camera momentum, color matching, and immersive sound design to make the final arrival in LA hit with maximum impact.
Why I built it:
Every era of art had its own medium—from oil on canvas and woodblock prints to digital timelines. AI and CapCut are the new canvas. I built this piece to celebrate how creative technology lets us step inside our wildest visual ideas and bring them to life in seconds.
A connected 9-scene sequence where each painting morphs into the next is ambitious, Pedro. That idea that every era had its own medium, from oil on canvas to AI, makes this feel like a real journey rather than just a montage.