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Get Your Dragon Up | Epic Fantasy MarketQuest #1
Epic fantasy adventure and marketing psychology collide in our first episode of MarketQuest, as our very own Vanessa finds herself in full bikini armor, pitted against a formidable red dragon!
She’s in a fantastical realm of magic and adventure, but Vanessa still has to find a client, come up with an offering, and create an ad. And that bikini armor probably warrants a full product demonstration as well!
Part 1/3
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Happy to share submission for the invideo Editor Challenge! 🚀✨
For this video, I created an effect I call "Ao Dai Flicker" - blocks of light that flicker across the frame and flip the colours underneath every time the outfit changes.
AO DAI FLICKER
Nobody saw her go through the door.
But every time the light flickered, she stepped back out as someone new.
Seven flashes. Seven looks. One quiet street.
Where does she change? No one knows - and honestly, that's the fun part. ✨
Why fashion? Because fashion lives in the moment of change, and it never slows down. Trends turn over in a week, and every look deserves its own big reveal, not a copy-paste cut. So I made every cut a flash: pink and blue halftone bursts that feel like a printed magazine, a stream of binary code for the screen era, and Difference-blended shapes that turn each reveal into a little flashbulb moment.
It's the kind of edit fashion creators want on every post but rarely have the hours to build by hand. That's exactly what I wanted invideo Editor to take off our plate: the same impact on every single cut, built from a description instead of hours of keyframing, while every creative call (the colours, the rhythm, which look gets the loudest flash) stays ours.
Behind the scenes:
Primary effect: Shape Flicker — Mixed-Media Outfit Transitions
Large squares and rectangles flash across each outfit change, creating bold colour inversions through Difference blending. Blue and pink halftone flashes, black-and-white print textures, and small data-style digits add a mixed-media finish. Each burst clears quickly to reveal the next outfit, with a clean final shot.
Process note:
I started with my own fashion footage, filmed from a fixed camera position with outfit changes at matching poses. I asked invideo Editor’s timeline agent to build the transitions using editable shape layers and Difference blending, without rotoscoping or object tracking. My refinements focused on the shapes’ size, placement, drift, and flicker timing, then adding halftone and data textures while keeping each outfit clearly visible.
Which look is yours? Drop the number 1–7 below 👇
LINKS
invideo timeline: https://invideo.io/share/Ao-dai-Flicker-v1BryMJao80
Instagram post:
invideo Editor is free to try.
@invideo.io @invideo.creators
#invideocontrachallenge #invideoeditor
The flickering light effect sounds really creative! 🔥 Love how you connected the lighting transitions with the outfit changes. Such a unique visual concept and great execution! 👏✨
I’d definitely go with black. 🖤 It feels sharper, more premium, and timeless. The transparent concept is creative, but the black version has a stronger visual identity.
Night Quota – a Halloween game about my hometown
Monsters work one night a year. In Kharkiv, that night ends at 11 p.m. Not because of monsters. Because of the curfew.
Pick one of four monsters, walk the streets, scare people, knock on doors, and hit your quota before dawn. After eleven the streets empty and the job gets harder.
I’m from Kharkiv and I miss it, so I rebuilt it as a game. 18 districts, each started from my own photo of a real street and drawn as a constructivist poster, the style the city is known for. Every district has a local with a story about Kharkiv. The passers-by are people I love: my friends, my daughter as a little witch, and my cat Lisa, who hides in every district.
Features used: Rive CLI + GPU Canvas (both), Scripting, Data Binding, State Machines.
How it’s made
• Rive CLI + Claude Code: I’m a designer, not a game developer. I described the game, the agent wrote it, I watched the live preview and corrected it.
• RML for the scenes, Luau scripting for the logic: the night clock, the districts, the scares, the dialogues.
• GPU Canvas: one WGSL shader over the whole game. Curfew frame, searchlights, air-raid flash, a camera shutter for cat photos, the dawn report developing out of a halftone raster.
• Data Binding drives the HUD, State Machines run the buttons.
• Rive Editor to play it and check every screen.
• Higgsfield for character art, from my own references and photos.
Play it on desktop, with a keyboard and mouse.
Give it about 20 seconds to load, the whole city is in there.
The combination of clawed hands and the friendly priest is awesome! 😂🔥
