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A quick comedic sketch that plays on the slang term “pause.” While celebrating his graduation from medical school with his girlfriend, a young doctor jumps into action when a man starts choking at a restaurant—but his attempt to save him gets hilariously complicated when someone keeps yelling, “PAUSE!”
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This piece is No. X in the series, titled NO.X｜䟣踢 Chuti
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I created it as a seamless loop animation.with no AI involved.
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The colors and organic shapes work beautifully together. Creating a seamless loop with this level of detail without AI is seriously impressive.
As AI cinema evolves, one principle matters more than ever: cinematic thinking must be learned through practice, not theory alone.
Tools can generate images, but directing still requires scene construction, dramatic intention, rhythm, performance, and visual meaning.
This footage documents part of Mohamed Beriky’s filmmaking education work in Istanbul. Its practical focus on filmmaking techniques, cinematic storytelling, and production discipline remains directly connected to the work we develop at Beriky Studios today.
Whether through traditional filmmaking or AI-assisted production, the central question remains:
How do we move from generating visuals to building cinema?
For filmmakers looking to integrate AI tools into their workflows—and AI video creators seeking stronger foundations in filmmaking—stay tuned.
Beriky Studios will soon announce an exclusive live online course led by film director Mohamed Beriky.
#FilmEducation #FilmDirecting #AICinema #CreativeDirection #BerikyStudios
This was supposed to be a sample.
The client wanted to see what their brand would look like as a real commercial before committing to anything. Just a direction, a mood, something to react to. The kind of thing you usually keep rough because it's going to get torn apart in feedback anyway.
I didn't do it that way. I built the full 30 seconds like it was already approved. Wrote the shot list properly. Sat with the lighting until the golden hour felt like actual morning light and not a filter. Held one color palette across every frame. Recorded the voiceover. Added the jingle at the end.
They watched it once and said they didn't need a second concept. The sample became the ad. ☕🔥
The lesson I keep coming back to is that nobody can tell the difference between a sample and a final if you refuse to treat them differently. The moment you decide something is "just a draft," you've already lowered the ceiling on it. Clients feel that, even when they can't name it.
So now I don't send drafts. I send the best version I can make, every time, and let them tell me if it needs to change.
Has this happened to you? That moment where the throwaway version turned out to be the one? I'd love to hear how it went, because I think a lot of us are undercharging for work we're already doing at full effort.
Concept, shot planning, prompt engineering, AI video generation, voiceover script, and sound design were all handled in house.
Let me know what you think of the final look! 🚀
Looks good