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Men's Formal & Sportswear AI Commercial Showcase
A clean, minimalist promotional edit showcasing modern menswear and athletic styles, entirely conceptualized through advanced prompting and generated using Google Veo. Guided by the philosophy that true elegance lies in simplicity, this project highlights sharp tailoring, effortless styling, and premium AI-driven visual pacing.
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`𝐖𝐡𝐚𝐭 𝐢𝐟 𝐭𝐡𝐞 𝐝𝐞𝐬𝐭𝐫𝐮𝐜𝐭𝐢𝐨𝐧 𝐨𝐟 𝐲𝐨𝐮𝐫 𝐩𝐚𝐬𝐭 𝐰𝐚𝐬 𝐨𝐧𝐥𝐲 𝐭𝐡𝐞 𝐛𝐞𝐠𝐢𝐧𝐧𝐢𝐧𝐠?
I wanted to tell a short story through animation, atmosphere and cinematic storytelling. The Last Light follows Kaito, a young swordsman returning to the ruins of his village, where a mysterious girl named Ayame reveals that his family’s past is far darker than he imagined.
The project moves through flashbacks, character interactions, supernatural battles and a final confrontation with Lord Akuma... building the story toward a cliffhanger rather than simply ending with the fight.
This was an exploration of 2D animation, character-driven storytelling, cinematic composition and anime-inspired visual direction.
𝑻𝒆𝒍𝒍 𝒎𝒆 𝒘𝒉𝒂𝒕 𝒚𝒐𝒖 𝒕𝒉𝒊𝒏𝒌. 👀
#2DAnimation #AnimatedShort #Animation #AnimeAnimation #Storytelling #CharacterAnimation #MotionGraphics #VisualStorytelling #CinematicAnimation #ConceptArt #AnimationDesign
Amazing work
Claude + After effects (Here’s the exact 5 prompts, copy them) 🧵
Prompt 0: Setup
Approach: Computer Use - from now, henceforth.
Setup: After Effects is open on Screen 2.
Goal: Configure the project and create 4 working comps, named Scene 1 through Scene 4, before anything is built. All 4 comps use the settings below.
Project settings:
Color depth: 16 bpc
Linear blending on Comp settings:
Resolution: 2880x1620, square pixels
Frame rate: 30fps
Background: warm Don't ask any questions. Build.
Prompt 1: Plan the radial scene
Setup: Same project and comp. Plexus installed. Reference: Sketch
(see first comment for the sketch btw).
Goal: A radial plexus matching the sketch. All vertices start at a single centre point and spread outward in 3D. Lines grow from the centre to each endpoint. Each endpoint carries a different image. Camera with depth of field.
Reading the sketch:
The circle is the origin. Every line starts there, none connect to each other.
Line lengths and angles vary on purpose. Keep that irregularity, don't make it a perfect starburst.
The sketch is 2D, but the build is 3D. Some lines should push toward and away from camera, not just across the frame. Current state: Nothing built for this scene yet. Constraints:
Do not touch the project. Planning only, no computer use. Approach: Consider the best possible way of achieving this. It should be able to be edited realtime as well. Prioritize using plexus Output: A recommended approach with reasons. I'll approve before you build.
CONTINUES IN COMMENT
(Attached is Prompt 1's reference image btw)
Prompt 2: Animate Scene 1 line connections
(i went back to creating the first scene)
Setup: Switch to the Scene 1 comp. Park the Scene 2 plan, we'll return to it.
Goal: Lines animate their connections, drawing from one vertex to the...
Excited to officially submit my entry for the Cantina Challenge — a psychological horror short titled Mira.
The spark for this project came from a simple, unsettling image that stuck in my head: what if the emotional weight you carry literally detached from you and stayed in the room? I wanted to translate that internal feeling of isolation into a visual reality without relying on heavy dialogue or classic horror tropes.
Project Title: Mira
Core Thesis: "Not looking back doesn't mean you're not still carrying it."
The Concept: Mira is a short psychological thriller pilot that explores the heavy, invisible weight of unresolved emotional trauma. Rather than relying on standard horror tropes, cheap dialogue, or jump-scares, the story relies entirely on grounded visual storytelling, non-verbal shadow choreography, and high-tension environmental audio.
The Protagonist: Mira
Trapped in a cycle of isolation and avoidance, attempting to project a calm exterior while her internal state deteriorates.
Key Visual Mechanics: A dynamic phone typing interaction where text messages act as a gateway to her internal state, leading up to a chilling moment where her shadow literally detaches from her body — anchored to the living room while she moves forward.
The Climax: A quiet, suffocating sequence where the ambient space collapses into total darkness, leaving her face-to-face with what she's been running from.
Why I Created This: I've always believed that every person carries immense quiet value, but when unaddressed trauma isolates us, we lose sight of our own worth. I wanted to build a character study that honors that internal struggle visually.
This is a blend of: Psychological Thriller + Surreal Character Study + Minimalist Environmental Horror.
Narrative engine: Emotional Isolation --> Unspoken Tension --> Visual Distortion --> Psychological Climax
Where I would take the series next:
Episode 1 is The Room. The engine is one locked apartment, one locked Mira, 10 visual metaphors for grief.
Episode 2 - the shadow that stayed behind now moves when she doesn't.
Creator Studio Feedback:
What worked well - precise low-key lighting, atmospheric sound design, micro-expressions.
Challenge — temporal asset consistency for the brown sofa, and precisely preserving her exact silhouette (hair, shoulder line) through the shadow's turn across frames.
Suggestion — location colour lock + shadow-direction/shape control for finer silhouette fidelity.
Confirmation: Created end-to-end in Cantina. Original work, one submission.
spooky! nice job