Day 10/30 of my hero section challenge.

Today: Ofelia, a spa in Bali.

→ The wordmark sits at eye level, spanning the full width, cutting across the middle of the space. Here the type claims the room, and because the interior is symmetrical and calm, it can take the weight.

→ A high-contrast serif against soft plaster. The architecture is all curves and matte texture, so the type brings the only sharp edges in the frame. Contrast without adding a single element.

10 down, 20 to go. A third of the way.

Template by Hariom, adapted and customized by me. Interior imagery generated with AI.

Contrast without adding a single element is such a clean way to put it. With 20 more of these to go, are you locking the typographic approach per venue type, or is Ofelia's centered serif going to be the constant across the whole 30?

I stopped making files and started making systems. One Houdini scene, one switch: floral, stone, dragon. Every product drops into the same room, the same camera, the same light. The only thing that changes is where the switch points. How do you handle variations, one scene or one file per product? https://contra.com/p/cvXglUcM-product-film-retractable-shelving?r=oscar_romero_0l59be1e

One parametric scene wins every time once a client asks for a fourth variant, that's usually the moment a per-product file approach starts costing real hours. Does the switch just swap materials and geometry, or does lighting need any tweaking too when you flip between floral, stone and dragon?