The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Back to feedPost
I built an AI-assisted animation pipeline using Astra, Blender, Unreal Engine, and Kdenlive. Astra created the 3D assets, helped assemble the animation workflow, and handled much of the production process through the final animation, including sound effects and music. and yes I like Dr Who deal with it lol.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Related posts
Motion Design & Animation — From Viewport to Final Render 🎬
Turning ideas into polished motion.
A quick look at some of my recent motion design work — from After Effects timelines and viewport setups to the final rendered animations.
I focus on:
• 2D Animation
• Motion Graphics
• Logo Animation
• Explainer Videos
• Video Editing
• Creative Visual Design
Every frame is built with attention to timing, movement, composition, and clean visual storytelling.
Available for freelance projects & collaborations.
If you're looking for a Motion Designer / 2D Animator for your next project, feel free to reach out.
#MotionDesign #2DAnimation #MotionGraphics #AfterEffects #Animation #Animator #VideoEditing #CreativeDesigner #FreelanceDesigner #MotionDesigner
Showing the timeline beside the final render makes the craft easier to appreciate.
Morrow Atelier turns a panicked 'my wedding is in three weeks and my dress doesn't fit' message into a confirmed, pre-briefed fitting — the bride pins her fit zones on a live 3D gown at midnight, and Mara opens her morning with one prepared case instead of a week of back-and-forth
fabulous work @Omar Elmehammedy. upgoated...!
This piece explores a couple of playful transitions we created using Kling 3.0.
The first one starts with the umbrella positioned separately from the model. By the end of the shot, it has moved directly into his hand, almost like he’s using the Force to pull it toward him.
Yes, very Star Wars. 😂
We also created another fun transition where he exits through a garage and then appears entering a spaceship. It’s a small visual idea, but one that completely changes the energy of the sequence and makes the transition feel much more imaginative.
What I liked most about both results wasn’t just the visual effect itself, but what they represent from a production point of view.
A few years ago, shots like these would likely have required additional setups on set, more coverage, practical tricks, compositing, or much more time in post-production. With current AI video models, we were able to explore the same ideas in a much faster and more flexible way while still keeping the transitions intentional and connected to the visual language of the piece.
For me, that’s where these tools become really interesting. They’re not replacing creative thinking. They’re giving us new ways to solve visual problems, test ideas and create moments that would previously have demanded much heavier production.
Tools used: Kling 3.0
