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Hey Contra 👋 I'm Piet, AI marketeer and salesman from Nijmegen (NL).
I help SaaS companies grow on two fronts at once:
- Marketing: AI-driven content, campaigns and complete marketing systems (my Marketing OS)
- Sales: I make the calls and close. I do it every day for energy contracts by phone
- Automation: I build AI agents, MCP tools and workflows that take repetitive work off your team
I work hard, move fast and earn myself back quickly. Open for SaaS gigs, remote or in the Netherlands.
Portfolio: https://piet-baudoin-portfolio.vercel.app/
Agency: https://poldermarketing.nl
Building something in SaaS or AI? Let's connect.
Welcome to Contra!
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Related posts
FLEXWEAR - From Pharaohs to LA
I created a 30s cinematic brand story for FLEXWEAR that bridges ancient Egyptian heritage with modern LA streetwear culture.
The concept: An Ankh (key of life) opens a portal from a Pharaonic tomb in Egypt to the Hollywood hills of Los Angeles. The protagonist wears a FLEXWEAR hoodie with a golden Ankh, symbolizing that heritage is not history - it's wearable identity.
Built entirely in CapCut AI (Studio + AI Video Generator) - from text-to-video, temple reconstruction, portal VFX, and final color grading.
Tags: #capcutworldlachallenge #WelcomeToLA #CCW #FLEXWEAR #FromPharaohsToLA
Clean export, no watermark, 1080p, original concept for CapCut World LA Challenge.
This photoshoot never happened...
But the campaign could.
No studio.
No location.
No styling team.
No animal handlers.
No huge production budget.
In a traditional workflow, a high-concept beauty editorial like this would be extremely difficult, expensive and in some cases almost impossible to produce. Different models, exotic animals, controlled lighting, makeup, styling, retouching, logistics, safety and a production crew.
With AI, the creative process changes.
Once the visual direction is locked, I can build a consistent system and generate hundreds of images within the same world: different animals, color palettes, compositions, crops, moods and campaign formats.
This is not about replacing every photoshoot. It is about opening creative territories that were previously too expensive, too risky or too complex to explore.
These are just experiments, but I can easily imagine this kind of visual direction working for beauty, eye makeup, color cosmetics, fragrance or high-impact product launches.
For brands that sell through visuals, the real value of AI is not one beautiful image. It is the ability to test bold campaign ideas faster, then scale the strongest direction into a full visual system.
If you’re a Creative in 2026, you should wake up every morning and Say “Thank You Ai “. 😂
Imagine a client wants a premium, animated website, but she only has 2 or 3 images.
A few years ago, you’d probably have to wait for her to organize another photoshoot, get more brand assets, or find a way to work with what you have.
But today? Give me just 2 good images and AI. 😂
I can create different product angles, lifestyle shots, campaign visuals, and all the assets needed to make that website look like the brand spent thousands on photography.
And the best part? The client doesn’t need to spend extra money on another photoshoot.
AI has genuinely changed the way we work
Of course, you still need good design skills and creative direction. AI won’t magically give you good taste.
But the possibilities we have today? Insane.
If you’re still refusing to learn AI as a creative in 2026, you’re making your own work unnecessarily difficult.
Btw this was built with Claude opus 5.5 + Higgsfield AI for the visuals