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I built “Chaos in Action,” a browser-based double-pendulum simulator that helps students see how tiny differences in initial conditions grow over time. It includes live trajectories, a separation graph, adjustable controls, and five guided classroom activities.Ready-to-use Spanish edition: https://contra.com/products/ZV22mSHb-caos-en-accion-simulador-interactivo-de-pendulo-dobleI also build custom interactive educational simulations for schools, course creators, and training teams: https://contra.com/s/WEZBOXX3-simulador-educativo-interactivo-a-medida?r=marco_emmanuel_carranza_x1vp9ww0
The network for creativity
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Creatives on Contra have earned over $150M and we are just getting started
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Exploring what’s possible with particles and motion.
This transforms thousands of tiny particles into an owl, creating a soft, fluid movement that feels almost alive.
Built from scratch with code focusing on motion, depth, and keeping the interaction lightweight.
Just a small experiment, but these are the kind of details I love bringing into digital experiences.
Worked on this transition in Jitter, and honestly, this has to be one of my favourite animation processes ever.
There’s something ridiculously satisfying about taking a simple UI interaction and slowly pushing it until the movement feels just right.
I kept playing with the timing, easing, spacing, and little details until the whole transition started feeling natural instead of just “animated.”
And the best part? Jitter makes this kind of experimentation insanely fast. You can try an idea, tweak it, break it, fix it, and instantly see how it feels.
@Muhammed Ahmed The shift from visibly animated to natural often comes down to tiny easing and spacing tweaks. Did timing or easing take more iteration in Jitter?
