Assembling the overall sound design of a completed production. Selecting, recording/re-recording, and piecing together the right sounds to fit the edited footage (that will then be tweaked and finalized by the re-recording mixer). This includes dialogue tracks, ADR (automated dialog replacement), foley, wild tracks (any audio that’s meant to be in sync with the image but recorded separately, such as narration, phone conversations, sounds of nature, traffic, or any ambient noise), pulling from expansive sound effects libraries, and any music used.