Documentary post-production built to the standard of streaming originals. I take raw footage, archival material and voiceover and turn it into a finished film with the visual language you see on HBO and Netflix documentaries.
What's included:
Archival compositing and scene construction. Real photographs and documents composited into aged, textured environments with matched grain, split-tone grading and shallow depth-of-field camera moves. Stills become cinematic scenes rather than static inserts.
Advanced motion graphics. Evidence boards, timelines, animated maps, data visualisation, kinetic typography and lower thirds, all built on a single motion language so the film feels unified rather than assembled.
Colour grading. Muted, film-accurate grades with split-toning, halation and grain to establish tone and period.
Sound design. Designed rather than licensed. Atmospheres, transitions, textures and effects cut to picture, mixed alongside voiceover and music.
Story structure and pacing. Sequences shaped for retention across long-form, holding a frame when the story needs stillness and compressing when it needs momentum.
Full delivery. Final export to your specification, ready to publish, with project files on handover if required.
Best for: documentary channels, production companies, streaming-style series, true crime, historical and investigative content.
Documentary post-production built to the standard of streaming originals. I take raw footage, archival material and voiceover and turn it into a finished film with the visual language you see on HBO and Netflix documentaries.
What's included:
Archival compositing and scene construction. Real photographs and documents composited into aged, textured environments with matched grain, split-tone grading and shallow depth-of-field camera moves. Stills become cinematic scenes rather than static inserts.
Advanced motion graphics. Evidence boards, timelines, animated maps, data visualisation, kinetic typography and lower thirds, all built on a single motion language so the film feels unified rather than assembled.
Colour grading. Muted, film-accurate grades with split-toning, halation and grain to establish tone and period.
Sound design. Designed rather than licensed. Atmospheres, transitions, textures and effects cut to picture, mixed alongside voiceover and music.
Story structure and pacing. Sequences shaped for retention across long-form, holding a frame when the story needs stillness and compressing when it needs momentum.
Full delivery. Final export to your specification, ready to publish, with project files on handover if required.
Best for: documentary channels, production companies, streaming-style series, true crime, historical and investigative content.