Live shows have a flow of their own, and the work I've done for them has to tell a story that builds excitement quickly and clearly toward a moment. I'm used to working on a team and interfacing with one or several of our clients' teams at the same time, so as a habit, I build files with the intention that someone else who doesn't know me may need to dig in to reuse or edit the file later. Shows with tremendous output resolutions mean that lean file building is a requirement, so my files are generally very optimized for render times and previewing.

Kickoff call, expectation setting on both sides, roadmap for particulars.

Storyboarding with stills, review and critique.

Animatics to capture initial motion concepts and camera shots.

Review, edit, review, edit. Get it right.

Delivery of asset, approval, delivery of source files.

Brief de-brief. I ask you to refer me out, and thank you for letting me work for you.