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Mendi Murillo's avatar
Mendi Murillo
Chía, Colombia
Film & Game Composer | Cinematic Music + Sound Design
New to Contra
Film & Game Composer | Cinematic Music + Sound Design
Cover image for Musical reinterpretation of an early
Musical reinterpretation of an early scene from "Tesis sobre un homicidio" by Hernán Goldfrid, developed as a scoring proposal. 🧠 Key elements: Scene re-scoring and narrative focus Suspense-driven harmonic language Emotional pacing aligned to visuals 🎧 Style: Psychological and restrained, built to enhance tension and underline the film’s investigative tone. 🎼 Mentorship: Guided by composer Sergio Moure de Oteyza 💡 Re-scoring isn’t imitation — it’s reinterpretation. 📩 Available for: Filmmakers, studios, trailers & cinematic projects https://www.mendimurillo.com/ (https://www.mendimurillo.com/)#filmcomposer #rescoring #cinematicmusic #sounddesign #composer #filmscoring
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Cover image for "The Tunnel" Sound Design -
"The Tunnel" Sound Design - Wwise Implementation Sound design and compositional work for the developing game "The Tunnel", including music creation and implementation in Wwise middleware 🧠 Key elements: Adaptive / interactive music Loop design for gameplay Implementation-ready composition 🎧 Style: Inspired by the visual game-play and the Rain-forest location of Colombia, designed to respond to player actions and enhance immersion. 💡 Game audio is not just music — it’s gameplay. 📩 Available for: Indie devs, studios, trailers & interactive media https://www.mendimurillo.com/ #gamemusic #sounddesign #indiedev #composer #Wwise #middleware
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Cover image for "Mansion of Madness" Unreal Engine
"Mansion of Madness" Unreal Engine Implementation Audio design and original scoring for the in-development game "Mansion of Madness", featuring both composition and integration within Unreal Engine. 🧠 Key elements: Dynamic and responsive music systems Seamless looping tailored for gameplay Compositions built for direct implementation 🎧 Style: Driven by tension and horror, crafted to react to player behavior and deepen immersion. 💡 Game audio isn’t just background — it shapes the experience. 📩 Available for: Indie developers, studios, trailers & interactive projects https://www.mendimurillo.com/ (https://www.mendimurillo.com/)#gamemusic #sounddesign #indiedev #composer #UnrealEngine #audiodesign
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Cover image for "Wall-E" Sound Design by Mendi
"Wall-E" Sound Design by Mendi Murillo (ATMOS MIX) 🎧 Dolby Atmos mix — best experienced with 🎧 Musical scoring and sound design for the iconic meeting scene between WALL‑E and EVE from WALL‑E. 🧠 Key elements: Scene re-scoring and emotional timing Foley and SFX design for immersion Spatial audio mixing in Dolby Atmos 🎧 Style: Tender and atmospheric, combining subtle textures with expressive musical phrasing to enhance connection and wonder. 🎼 Credits: Adaptation of the piece “Tolú” by Lucho Bermúdez 💡 Spatial audio doesn’t just surround you — it places you inside the story. 📩 Available for: Studios, filmmakers, immersive media & cinematic productions https://www.mendimurillo.com/ (https://www.mendimurillo.com/)#dolbyatmos #spatialaudio #filmcomposer #sounddesign #foley #cinematicmusic
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PreSonus Studio One(8)
Diego Tenorio's avatar
Diego Tenorio
Quito, Ecuador
Composer (audiovisual music) | Arranger | Orchestrator
Composer (audiovisual music) | Arranger | Orchestrator
Cover image for CINEMATIC MUSIC 🎞
CINEMATIC MUSIC 🎞
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Cover image for BRANDING MUSIC 📣
BRANDING MUSIC 📣
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Cover image for VIDEO GAME MUSIC 🎮
VIDEO GAME MUSIC 🎮
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PreSonus Studio One(3)
Gregory Henry's avatar
Gregory Henry
proAbuja, Nigeria
Multidisciplinary Creative
6
Followers
Multidisciplinary Creative
Cover image for These projects focused on creating
These projects focused on creating a music and sound design experience that enhanced the emotional impact, storytelling, and overall quality of the final Short production. The goal was to build a sonic environment that felt intentional, polished, and memorable while aligning with the client’s creative vision. My Role: I handled the full sound design process from concept to final delivery, including: Sound selection and asset creation Foley and environmental layering Transitions and impact effects Spatial balance and depth creation Music Production Final mix optimization Creative Approach Every sound element was chosen to support emotion and movement. Instead of simply adding effects, the focus was on designing moments that feel natural, cinematic, and purposeful. Attention was given to pacing, silence, tension, and energy shifts to ensure the sound complemented the visuals rather than overpowering them. Outcome: The final results were a refined audio experience that elevated the production quality, improved audience engagement, and added a professional cinematic finish.
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Cover image for Nocaff branding Project
Nocaff branding Project
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Cover image for Brand Identity Development for Ọrẹ Studio
Brand Identity Development for Ọrẹ Studio
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Cover image for Brand Identity Development for The Willow Inn
Brand Identity Development for The Willow Inn
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PreSonus Studio One(1)
Mike Cal's avatar
Mike Cal
Monroe, USA
Offering Audio Mix & Mastering, Sound Design & Sample Packs.
Offering Audio Mix & Mastering, Sound Design & Sample Packs.
Cover image for A1 Mix & Master Services Songs
A1 Mix & Master Services Songs
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Cover image for Briana Tyson - Nobody's Gonna Love You (Mike Cal Mix)
Briana Tyson - Nobody's Gonna Love You (Mike Cal Mix)
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Cover image for 'Maggots' (2014) Promotional Film Soundtrack HORROR-PUNKS.COM
'Maggots' (2014) Promotional Film Soundtrack HORROR-PUNKS.COM
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Cover image for Blackbeard's Revenge (single)
Blackbeard's Revenge (single)
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PreSonus Studio One(5)