Freelance Filmmakers

Freelance FilmmakersFreelance Filmmakers

Projects People

proMadrid, Spain

Ethereal Filmmaker | Photographer | Creative Direction | AI

$5k+: Earned

5x: Hired

5.0: Rating

213: Followers

expert

Ethereal Filmmaker | Photographer | Creative Direction | AI

Cover image for A NORMAL AMOUNT OF SKY
My

A NORMAL AMOUNT OF SKY My entry for the CapCut Seedance 2.5 Video Challenge. I am interested in creating worlds that exist somewhere between magical realism, liminal spaces, dreams, and quiet unease. Places that initially feel soft or nostalgic, but gradually reveal that their architecture, scale, or internal logic cannot be trusted. For this film, I imagined a girl beginning inside an empty school, a place shaped by repetition, observation, rules, and the pressure to become a recognizable version of yourself. She walks into a faded pastel-pink bathroom and discovers a luminous horse behind a full-length mirror. The horse represents the possibility of escape, freedom, desire, and a life that cannot be completely explained. When she crosses the mirror, the camera crosses with her. She runs alongside the horse through a fluorescent landscape where rain, flowers, institutional ceilings, and an artificial sky coexist. An astronaut eventually leads the horse away. I see the astronaut as a figure already accustomed to surviving unfamiliar worlds, while the girl is encountering one for the first time. As the camera pulls backward, the apparently endless landscape is revealed to exist inside a crystal sphere held by another version of the same girl. She releases the sphere, breaking the boundary around the imagined world. The luminous horse survives in miniature among the fragments. For me, the ending is about carrying a small piece of freedom back into reality. The escape may be fragile, altered, or impossible to preserve at its original scale, but it does not disappear. WORKFLOW I developed the film in CapCut Video Studio using Seedance 2.5. I began with visual references centered on luminous horses, cyan rain, retro astronauts, pastel magical-girl imagery, artificial landscapes, wet reflections, 35mm grain, analog halation, and uncanny institutional architecture. I then created a timestamped 30-second prompt defining the character continuity, camera path, environmental transformations, sound design, and narrative progression. I generated multiple iterations and refined the mirror crossing, the girl’s visibility, the relationship between the horse and astronaut, the macro pullback from the sphere, and the final release of the miniature horse. The final camera path moves continuously from the school corridor into the bathroom, through the full-length mirror, alongside the running girl and horse, outward through the crystal sphere, and down to the fragments on the bedroom floor. Created with CapCut Video Studio and Seedance 2.5.

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8.4K

Cover image for the menu, now in motion

the menu, now in motion ✦ A series of short-form videos created for the visual menu of La Terraza de Alba in collaboration with Gourmeats. Each piece captures the preparation, textures and final presentation of a different dish, transforming the traditional menu into a more immersive and appetizing visual experience. Videography • Editing • Food Styling Content

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30

1.1K

Cover image for theatre rehearsals, but cinematic ౨ৎ

theatre rehearsals, but cinematic ౨ৎ ⋆｡˚ For La carta fue un error, I stepped behind the scenes to film the cast during rehearsals and transform the process into a series of Instagram Reels. I captured the glances, gestures, movement and tiny in-between moments that bring a play to life, then shaped them into intimate, dynamic edits designed for social media ✶ shot + edited by me written & directed by Camila Elejalde performed at NAVE 73, Madrid ✧ filming ✧ creative editing ✧ vertical content ✧ Instagram Reels

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25

1.1K

Cover image for BESO ⟡ slow motion film piece (for RAYAS by Carlota Pérez de...

BESO ⟡ slow motion film piece (for RAYAS by Carlota Pérez de Castro) A slow-motion video fragment I filmed as part of RAYAS, a work by Spanish artist Carlota Pérez de Castro. BESO focuses on the intimacy of a single gesture—time stretched, texture amplified, emotion held in suspension ˚✧ My role: Filmmaking / Cinematography · Slow-motion capture · Visual pacing

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616

proLos Angeles, USA

Filmmaker/Musician | Full-Service Video & Audio Production

$1k+: Earned

4x: Hired

5.0: Rating

67: Followers

Top

Filmmaker/Musician | Full-Service Video & Audio Production

Cover image for Love’s Last Stand

Love’s Last Stand

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67

Cover image for Survival of the Sexiest: A Satirical Short Film

Survival of the Sexiest: A Satirical Short Film

1

44

Cover image for Noelle’s New Bike

Noelle’s New Bike

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28

Cover image for inner child healing with sean and sam

inner child healing with sean and sam

1

21

Milton Keynes, UK

🎥 Full-service YouTube Video Creation Expert

1x: Hired

5.0: Rating

13: Followers

🎥 Full-service YouTube Video Creation Expert

Cover image for Get Your Guide X Sky Sports Collab

Get Your Guide X Sky Sports Collab

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21

Cover image for B2B Tech Saas Tutorial with VEED

B2B Tech Saas Tutorial with VEED

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21

Cover image for Stress-Free London Travel Video

Stress-Free London Travel Video

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14

Cover image for GetYourGuide on Instagram: “The must-dos and can’t misses when …

GetYourGuide on Instagram: “The must-dos and can’t misses when …

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13

Mario Busto Studios™

Expert Video Editing and Cinematic Storytelling

$250k+: Earned

25x: Hired

5.0: Rating

1.6K: Followers

Top

Hired

+1

Expert Video Editing and Cinematic Storytelling

Cover image for Mario Busto Directing & Editing Reel

Mario Busto Directing & Editing Reel

2

164

Cover image for Reflex Robotics Hero Video - YouTube

Reflex Robotics Hero Video - YouTube

3

96

Cover image for BasePower 3 Levels Explained - YouTube

BasePower 3 Levels Explained - YouTube

2

23

Cover image for LuckyRobots Monthly Update Dev Vlog - YouTube

LuckyRobots Monthly Update Dev Vlog - YouTube

1

13

Diego Rotmistrovsky

maxBuenos Aires, Argentina

Versatile Filmmaker. Jack of all trades.

$250k+: Earned

29x: Hired

5.0: Rating

810: Followers

Top

Hired

+1

Versatile Filmmaker. Jack of all trades.

Cover image for Helping Accion Andina save the world

Helping Accion Andina save the world

4

393

Cover image for Pandora: Crafting Captivating Social Media Videos

Pandora: Crafting Captivating Social Media Videos

2

300

Cover image for Replit App Feature Launch Video

Replit App Feature Launch Video

129

3.7K

Cover image for Quick video I put together

Quick video I put together for Contra’s @runwayml challenge (https://runwayml.com/BigPitchContest?utm_source=partner&utm_medium=contra&utm_campaign=bigpitchcontest&utm_content=april2026&utm_source=twitter) with $100K in prizes 😮

4

13

3K

proMumbai, India

AI Video Producer | Brand Designer

$25k+: Earned

19x: Hired

5.0: Rating

280: Followers

expert

Expert

+4

AI Video Producer | Brand Designer

Cover image for Fresh out of the render queue. ❄️ Tried to push the mood on ...

Fresh out of the render queue. ❄️ Tried to push the mood on this one using only Premiere Pro for the grade (no AE or plugins). I really wanted to nail that "freezing" atmosphere with a heavy cyan/teal palette and rapid rhythm in the intro. Curious to hear what you all think of the pacing! 👇

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3

729

Cover image for AI-Driven Branded Commercials for Bogtrotter Whiskey

AI-Driven Branded Commercials for Bogtrotter Whiskey

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41

Cover image for A hunter sparing the wolf

A hunter sparing the wolf that was meant to be his target 🏹🐺 Built this entire cinematic short using Higgsfield AI. Standard prompts usually give you flat camera motion and broken faces, so I pushed Higgsfield’s Cinema Studio controls, depth maps, and multi-shot consistency to land this level of realism. The Breakdown: Visuals: Higgsfield AI (photorealistic fur, atmospheric snow, dynamic lens lighting) Sound: Layered diegetic FX (iron clinking, snow crunch, breath) + dynamic cello score If you’re looking for high-end AI video production, pre-vis, or cinematic ad concepts—I'm open for contract work. Drop a DM or hit the hire button! 📩

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235

Cover image for STORM HERD — 30 seconds,

STORM HERD — 30 seconds, one continuous take, no cuts. A herd of white horses stampedes across the slate rooftops of a nineteenth-century city while a thunderstorm tears the sky open behind them. The camera never breaks: it starts at hoof height on a rooftop ridge, lifts into the air as the herd charges past, drops into a chase behind them, threads between two galloping bodies, climbs above the roof valley, then dives and flies backwards ahead of the leaders to the final leap off the roof edge into open air. The whole film is graded to a single cold palette — cyan-steel monochrome, blacks crushed to zero, highlights blown to pure white. The only light source in the entire 30 seconds is the storm. Five lightning strikes punctuate the take, and at the 16-second mark one of them blows the frame completely white for two frames, turning the horses into black cut-outs before the image recovers through a bloom haze. That flash is the hardest part of the whole piece — a full-frame whiteout is exactly where a model wants to cut, and holding the take through it was the technical problem I built the prompt around. Made in CapCut Video Studio with Seedance 2.5. Full prompt and workflow below.

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4

598

maxThe Hague, Netherlands

Motion, Brand & Framer Designer | For Startups

$10k+: Earned

2x: Hired

5.0: Rating

236: Followers

expert

Motion, Brand & Framer Designer | For Startups

Cover image for A while ago, I had

A while ago, I had the privilege of working for none other than Ben & Jerry’s to film their Free Cone Day in the Netherlands. In addition to filming and photography, I was responsible for handling filming rights, as the footage would be used in their global marketing campaigns. It was an incredible feeling to contribute to something so much bigger than myself. To this day, it remains my highest-paid one-off project. Considering it only required some prep and a half-day shoot, totaling eight hours of work, the rate I was able to charge was something I never had done before in my carreer! The footage was featured in their 2023 global campaigns, and I am still so grateful for the opportunity, which has since led to several more projects including internal work for Unilever.

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30

832

Cover image for 3M+ views with video content for Headhunterz

3M+ views with video content for Headhunterz

1

14

Cover image for The perfect marketing tool for

The perfect marketing tool for financial / Web3 / crypto projects These type of videos work extremely for these type of businesses. Why? It turns a tough (often boring) topic into an engaging, storytelling format. What do you think? Check out how it performed here (https://Short form social animations for Web3 projects\ \ \ \ <https://www.instagram.com/p/DFabT0EtG9T/>) on Instagram

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690

Cover image for A Recent quick hype edit done for my long term client. I'm i...

A Recent quick hype edit done for my long term client. I'm incorporating modern audio's I found on Instagram and bring them to their X communication. Since the target audience resonates to this type of audios. I believe these small type of details builds community. https://x.com/HeyEva/status/2070174022755590516

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764

proİstanbul, Turkey

Cinematic AI Filmmaker/AI Video Producer for premium brands

$1k+: Earned

7x: Hired

4.7: Rating

59: Followers

expert

Partner

Cinematic AI Filmmaker/AI Video Producer for premium brands

Cover image for THE RETURN — A Solo-Directed AI Film (André Santoro)

THE RETURN — A Solo-Directed AI Film (André Santoro)

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9

STILL — "The Thin Guard" | AI-Directed Brand Film (Ad Campaign)

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9

Cover image for AI Cinematic Beauty Spec Ad — Inis “Energy of the Sea”

AI Cinematic Beauty Spec Ad — Inis “Energy of the Sea”

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Cover image for Is the Glass Half Full or Half Empty? - A Surrealist Film

Is the Glass Half Full or Half Empty? - A Surrealist Film

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