Freelance Videographers in WarsawFreelance Videographers in Warsaw
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Magda Benda's avatar
Magda Benda
Warsaw, Poland
Fashion & Music Video Editor, Animator 🎥
Fashion & Music Video Editor, Animator 🎥
Cover image for Latest video with @lovefoxy for @zala…
Latest video with @lovefoxy for @zala…
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Cover image for Zuzanna Isham: Kowbojka z wyboru Vogue Poland edit
Zuzanna Isham: Kowbojka z wyboru Vogue Poland edit
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Cover image for Motion design and animation for Levis Poland
Motion design and animation for Levis Poland
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Videographer(1)
Magdalena Kulig's avatar
Magdalena Kulig
Warsaw, Poland
Creative New Media Artist & Visualizer
Creative New Media Artist & Visualizer
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Interactive music video
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Videography Portfolio
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1
Cover image for Ice Cream Shop Branding
Ice Cream Shop Branding
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Cover image for pride poster and animation
pride poster and animation
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Videographer(2)
Ivan Taborov's avatar
Ivan Taborov
Warsaw, Poland
Videomaker, Video editor, Cameraman | Podcast, Reels, Ads
Videomaker, Video editor, Cameraman | Podcast, Reels, Ads
Cover image for #IMINSKYOU - city AD
#IMINSKYOU - city AD
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Cover image for Explainer video production
Explainer video production
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Cover image for Maybelline Podcast Production
Maybelline Podcast Production
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Videographer(1)
Germain Safari's avatar
Germain Safari
Warsaw, Poland
Software Engineer and Machine Learning Nerd
New to Contra
Software Engineer and Machine Learning Nerd
Cover image for By combining reference images of
By combining reference images of Usain Bolt, a Formula E car, and Miami architecture, the AI handles 90% of the heavy lifting. Learn how to use multi-image composition to maintain detail and logos, iterate for the perfect variation, and add final polishes in Photoshop.
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Cover image for Engineered and maintained Azure cloud
Engineered and maintained Azure cloud environments supporting DevOps, identity, and machine learning workloads. Built and managed CI/CD pipelines, automated deployments, configured infrastructure and access policies through Microsoft Entra ID, and supported ML lifecycle workflows using Azure ML and Azure AI Foundry. Helped deliver secure, scalable, and production-ready cloud solutions for application and AI services.
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Cover image for OpenClaw as an agentic AI
OpenClaw as an agentic AI system for autonomous task execution, tool use, workflow orchestration, scheduling, and multi-step reasoning. The project focuses on building a reliable AI agent that can manage prompts, skills, memory, automation, cron-based tasks, and integrations across products and operations. It includes design, testing, iteration, and deployment of scalable agent workflows for real-world business use.
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Cover image for AI voice calling system using
AI voice calling system using Vapi and Twilio. The project connects a compliant Twilio phone number or SIP route to a Vapi assistant, enabling inbound and outbound voice calls with real-time conversation handling. It includes number provisioning, regulatory bundle setup for Poland, SIP or Twilio integration, call routing, testing, and deployment for production-ready voice automation.
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Videographer(1)
hossein abbas's avatar
hossein abbas
Warsaw, Poland
AI Video Content Creator
New to Contra
AI Video Content Creator
Cover image for Sands of Justice is a cinematic Story Trailer
Sands of Justice is a cinematic Story Trailer
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Cover image for Kling AI 3.0 is not
Kling AI 3.0 is not just about generating videos — it’s about building a complete cinematic production pipeline with AI. For this fantasy project about a young sorceress and a king, the entire process started long before animation. First, I developed the cinematic structure using ChatGPT & Claude: • Story foundation • Scene-by-scene screenplay direction • Dialogue flow • Camera concepts • World-building and atmosphere planning After the creative skeleton was complete, I moved into visual pre-production: • Creating concept frames to establish the cinematic mood • Designing scene previews and shot composition • Developing character sheets for consistency across all sequences Then came the main AI production stage: • High-detail image generation in Nano Banana 2 • Cinematic animation and motion workflows in Kling AI 3.0 • Advanced consistency techniques to maintain characters, lighting, and environments between scenes • Refining realism, textures, depth, and cinematic movement The audio pipeline was built separately: • Voice acting and dubbing with ElevenLabs • Cinematic background music generated with Suno • Additional sound effects from ElevenLabs and my personal SFX library Finally, everything went through post-production: • Visual corrections and compositing in Adobe Photoshop • Full cinematic editing, pacing, transitions, sound synchronization, and final mastering in Adobe Premiere Pro Kling AI 3.0 is accelerating the evolution of AI filmmaking — where a single creator can now build cinematic worlds with a complete AI-driven production workflow. Currently working with Higgsfield AI & Kling AI.
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Cover image for Kling AI 3.0 is now
Kling AI 3.0 is now here — and it’s already delivering in 4K. The latest update marks a significant leap in AI video generation, pushing the boundaries of cinematic storytelling, realism, and visual fidelity. Key improvements in Kling AI 3.0: -Advanced AI video generation in 4K resolution -More detail and high-definition textures -Enhanced cinematic realism and lighting quality -Improved motion consistency and lifelike animation -Stronger text-to-video accuracy and scene coherence -Optimized output for short-form content (TikTok, Reels, ads) Kling AI 3.0 sets a new standard for AI-generated video content, enabling creators to produce high-end cinematic visuals without traditional production limitations. The evolution of generative AI video is accelerating, moving toward fully hyper-realistic content creation. Currently working with Higgsfield AI & Kling AI.
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Cover image for Seedance 2.0 just hit 1080p
Seedance 2.0 just hit 1080p — sharper, cleaner, and finally production-ready. I ran a quick experiment — and the jump in quality over the past year is honestly insane. This time: a Viking chase sequence inspired by Assassin’s Creed Valhalla by Ubisoft (https://www.linkedin.com/company/ubisoft/) — built to feel like a real cinematic trailer, not “AI content.” Method: image-to-video workflow — all scenes generated in Nano Banana 2. Here’s what actually makes it work: • structured storytelling (not random prompts) • precise action sequences • strong visual direction • controlled atmosphere That’s the difference between generic AI output and content that feels directed. For brands, this means: • faster concept validation • high-end visuals without full production • content that actually stops the scroll Add ElevenLabs sound design — and it starts competing with real video pipelines. We’re not replacing production — we’re compressing it. If you’re a brand, agency, or creator looking to produce cinematic AI video that doesn’t look like AI — let’s talk. Open for collaborations & custom projects. Currently working with Higgsfield AI (https://www.linkedin.com/company/higgsfield/) & ElevenLabs (https://www.linkedin.com/company/elevenlabsio/).
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Videographer(1)
Jakub Sobótka's avatar
Jakub Sobótka
Warsaw, Poland
Filmmaker based in Europe (Warsaw/Poland)
Filmmaker based in Europe (Warsaw/Poland)
Cover image for #anyone - Karolina Gorczyca
#anyone - Karolina Gorczyca
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Cover image for Built the Beauty Hackathon
Built the Beauty Hackathon
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Cognizant Poland
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Cover image for Test Farms Microbe+
Test Farms Microbe+
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