Freelance Editorial Designers in Sydney
Freelance Editorial Designers in Sydney
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Eric Zhang
Sydney NSW 2000, Australia
Visual Designer with a Marketing Mindset
9
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expert
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Visual Designer with a Marketing Mindset
1
Macquarie Business School Brochure - Editorial Design
1
5
1
A Super Date with Mr Broom - Performance Visuals
1
12
1
Artisan Crafts - Web Design
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13
1
Chinese TV in the Netflix Era - Book Cover Design
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9
Editorial Designer
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Emma Tamaoki
Sydney NSW, Australia
Full-Service Branding for Founders + Creatives
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Full-Service Branding for Founders + Creatives
1
Cosmopolitan Australia + Middle East
1
29
0
Brow Confidence
0
43
0
Bijoux de Clouds
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34
0
Pepita Baby
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17
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Alexis Blumenthal
Sydney NSW, Australia
Diverse Designer for Unique Solutions
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Diverse Designer for Unique Solutions
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Fashion-Que
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23
0
Alexis Blumenthal - HyperKinetic Color Font
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11
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Work For Forever21
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41
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Bearplus Fullstack Agency
Sydney NSW, Australia
Award-winning agency specializing in design and development.
5.0
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25
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Award-winning agency specializing in design and development.
1
Binder Consulting Text Card A text card from our work for Binder Consulting, a Munich firm working at the intersection of HR consulting, HR-IT, and AI products. The challenge was finding a voice that fits between two tired patterns: legacy consulting stiffness and AI startup loudness. We built a typographic system that signals depth without performing it, used as quiet anchors across the site. Small surface, a lot of brand thinking underneath.
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97
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United Carriers serve sectors with genuinely different requirements, from pharmaceuticals to automotive to retail. The industries hero establishes that range before the page goes into specifics. The hero uses a wide, cinematic frame to signal breadth, then hands off into a structured layout where each sector gets its own handling detail. The intent is to make a broad capability feel specific rather than generic, which is the usual failure mode of an industries page.
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36
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The services section is deliberately the most restrained part of the site. Everything before it is built to hold attention. This section is built to answer a question fast. Road freight, sea freight, air freight and warehousing are laid out with a clear hierarchy, consistent card structure and no motion competing with the content. For a considered B2B purchase, this is where the enquiry actually starts. Applying the same visual ambition here would have made it harder to use, so we pulled back on purpose.
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Logistics is usually sold on scale: fleet numbers, port coverage, capacity. We wanted the team section to argue the opposite point, that the service is delivered by people making judgement calls. The layout gives each person real presence rather than compressing the team into a thumbnail grid. Portraits are treated at a size that holds attention, with hover states revealing role detail. It's a small section that does a lot of work for trust, especially for a business where clients hand over cargo worth a great deal of money.
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2
56
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Lucila Zakowicz
Sydney NSW 2000, Australia
Brand voice for people who hate boring content.
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Brand voice for people who hate boring content.
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Atypical - The Atlas. A monthly Ebook. A slow practice: one ingredient per month—its aromatic profile, traditional uses, and new ways to meet it through story, ritual, and form
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113
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Content writing for a perfumery brand about incense, rituals and a new perception of time.
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32
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An editorial reflection on scent, beauty, and the quiet pressure to become more acceptable. The piece moves between personal insight and cultural observation to question the standards that shape how beauty is perceived and performed.
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116
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A-typical photoshooting. A visual project inspired by four scents, each represented by a different body. Using macro photography, the shoot explored scent through shapes, forms, and textures, revealing the subtle similarities between the body and the natural world. Rather than illustrating fragrance literally, it approached perfume as something embodied — organic, tactile, and deeply felt.
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96
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