Freelancers using Adobe After Effects in State of Rio de JaneiroFreelancers using Adobe After Effects in State of Rio de Janeiro
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Daniel Lopes's avatar
Daniel Lopes
Rio de Janeiro, Brazil
Creative Motion Graphic Designer & Visual Storyteller
Creative Motion Graphic Designer & Visual Storyteller
Cover image for Vinheta Festival Ópera na Tela 2018/2019
Vinheta Festival Ópera na Tela 2018/2019
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3
Cover image for 2nd Global Conference OIE
2nd Global Conference OIE
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0
Cover image for How to write a good article
How to write a good article
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3
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Adobe After Effects(3)
Pedro Masid's avatar
Pedro Masid
Rio de Janeiro, Brazil
Product Designer with a craft focus
Product Designer with a craft focus
Cover image for Weeny MVP concept
Weeny MVP concept
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9
Cover image for Intrigue MVP concept
Intrigue MVP concept
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8
Cover image for Firstbase Services Acquisition Platform
Firstbase Services Acquisition Platform
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6
Cover image for Gun.io Marketplace Redesign
Gun.io Marketplace Redesign
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4
Adobe After Effects(4)
Ivam Marchon's avatar
Ivam Marchon
proNiterói, Brazil
Creative Director | Ads Videos That Convert with 3D and AI
$1k+
Earned
2x
Hired
5.0
Rating
50
Followers
Creative Director | Ads Videos That Convert with 3D and AI
Cover image for The objective in this work
The objective in this work was to create a series of premium assets for Balto, featuring five specific dog breeds (Pointer, Corgi, Poodle, Westie, Beagle) interacting with a 3D branded element. The project required a seamless blend of AI-generated characters and high-end motion design. THE CHALLENGE: Raw AI video generations often suffer from significant technical flaws: blurred fur textures, inconsistent lighting, and "shimmering" artifacts. For a premium brand like Balto, these "AI artifacts" create a cheap, amateurish feel that dilutes brand authority. Prompt engineering alone is incapable of producing professional and stable assets. THE STRATEGY: A Hybrid Digital Pipeline. As the Creative Lead, I developed a proprietary hybrid workflow to bridge the gap between raw AI output and cinematic quality: - Biological Realism Pass: I executed a heavy post-production layer focused on "fur fidelity" and ocular clarity. By refining the noise-to-texture ratio, I removed the plastic "AI look," ensuring the dogs felt organic and physically present. - Geometric Fidelity & Interaction: The interaction with the 3D coin required precise physics. - Iterative Refinement: Every frame was audited for "shimmering" and warped geometry (common failures in AI) and corrected through a multi-pass upscaling and denoising process. ‍THE CONCLUSION: This project serves as a benchmark for the future of AI in high-end advertising. It proves that AI is a tool, not a replacement for Creative Direction. To achieve this level of quality, a professional eye for VFX and post-production is mandatory. Without this specialized oversight, the result is merely a "cool experiment." With it, it becomes a brand asset of elite quality. Production Note: The coin in this video served as a spatial and temporal anchor, requiring precise synchronization to ensure realistic physics and interaction. I was responsible for the high-fidelity AI generation, biological texturing, and character performance. The final high-resolution 3D asset rendering and compositing were managed by the client’s internal team post-delivery.
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Cover image for FOOH Campaign with 3D Elements
FOOH Campaign with 3D Elements
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22
Cover image for This past weekend I went
This past weekend I went back to 3D after a long time. Just a quick visualizer, no big deal, but the tiredness at the end of the day felt completely different. Most of my work right now is AI. The burnout is real and it comes from a strange place (constant filtering, fighting the model, trying to pull out the exact frame I already see in my head, video generations that go wrong). 3D doesn't feel like that. When you hit an issue in a shader or a lighting setup, you actually have to solve it and when the scene finally lands where you wanted, you know you built it. AI is my main engine right now, that's where the market is, but my visual standards come from 3D. Knowing how light, cameras and composition actually behave in a real space is what lets me push an AI result beyond the obvious.
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Cover image for Visual Explorations // R&D Three simple
Visual Explorations // R&D Three simple shots to capture a mood. I wanted a clean top-down look at the plate, a raw macro close-up focused on the texture, and a shallow depth-of-field shot to ground the human element. Every angle, framing, and lens choice was completely calculated before clicking a button. Just keeping the sequence strictly aligned with a real cinematic standard.
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184
Adobe After Effects(2)
STEPHANIE TETIIZ's avatar
STEPHANIE TETIIZ
Rio de Janeiro, Brazil
Impactful illustration and brand design rooted in craft ✨
$5k+
Earned
2x
Hired
69
Followers
Impactful illustration and brand design rooted in craft ✨
Cover image for AniMAM - Animation, motion design and illustration
AniMAM - Animation, motion design and illustration
2
8
Cover image for Queremos! Poster Design for Sister Nancy
Queremos! Poster Design for Sister Nancy
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2
Cover image for Illustration for AFROPUNK Experience 2025
Illustration for AFROPUNK Experience 2025
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9
Cover image for Visual identity - Quantum Workspaces
Visual identity - Quantum Workspaces
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8
Adobe After Effects(1)
Barbara Abbes's avatar
Barbara Abbes
proRio de Janeiro, Brazil
Graphic designer passionate about creating engaging work.
Graphic designer passionate about creating engaging work.
Cover image for LIL BABY - FIFA WORLDCUP / BUDWEISER
LIL BABY - FIFA WORLDCUP / BUDWEISER
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2
Cover image for On-screen graphics for Os Hassums
On-screen graphics for Os Hassums
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6
Cover image for Brand Identity for Nous-Music
Brand Identity for Nous-Music
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9
Cover image for Picobar Brand Refresh
Picobar Brand Refresh
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5
Adobe After Effects(2)
Roque Martins's avatar
Roque Martins
Rio de Janeiro, Brazil
Diretor de Artes
New to Contra
Diretor de Artes
Cover image for Uma cerveja leve não pode
Uma cerveja leve não pode parecer água. Não é apenas uma foto de produto. É a ciência do design servindo ao apetite. No final das contas, a gente bebe primeiro com os olhos. #DirecaoDeArte (https://www.instagram.com/explore/tags/direcaodearte/) #BrandingEstrategico (https://www.instagram.com/explore/tags/brandingestrategico/) #LautDeLeve (https://www.instagram.com/explore/tags/lautdeleve/) #DesignVisual (https://www.instagram.com/explore/tags/designvisual/) #AgenciaDone (https://www.instagram.com/explore/tags/agenciadone/) #CervejaArtesanal (https://www.instagram.com/explore/tags/cervejaartesanal/) #FotografiaDeProduto (https://www.instagram.com/explore/tags/fotografiadeproduto/) #MarketingDeSabor (https://www.instagram.com/explore/tags/marketingdesabor/)
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Cover image for Site OnePage feito para o
Site OnePage feito para o DJ Cronoss
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Cover image for Identidade Visual feita para QLean
Identidade Visual feita para QLean Lab Solutions
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64
Cover image for Video criado por mim gerado
Video criado por mim gerado em IA para um cliente, Dr Carlos Roberto...
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75
Adobe After Effects(1)