Freelancers using Adobe After Effects in Rio de JaneiroFreelancers using Adobe After Effects in Rio de Janeiro
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Daniel Lopes's avatar
Daniel Lopes
Rio de Janeiro, Brazil
Creative Motion Graphic Designer & Visual Storyteller
Creative Motion Graphic Designer & Visual Storyteller
Cover image for Vinheta Festival Ópera na Tela 2018/2019
Vinheta Festival Ópera na Tela 2018/2019
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2
Cover image for 2nd Global Conference OIE
2nd Global Conference OIE
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0
Cover image for How to write a good article
How to write a good article
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2
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Adobe After Effects(3)
Pedro Masid's avatar
Pedro Masid
Rio de Janeiro, Brazil
Product Designer with a craft focus
Product Designer with a craft focus
Cover image for Weeny MVP concept
Weeny MVP concept
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9
Cover image for Intrigue MVP concept
Intrigue MVP concept
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8
Cover image for Firstbase Services Acquisition Platform
Firstbase Services Acquisition Platform
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6
Cover image for Gun.io Marketplace Redesign
Gun.io Marketplace Redesign
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4
Adobe After Effects(4)
Ivam Marchon's avatar
Ivam Marchon
proNiterói, Brazil
Creative Director | Ads Videos That Convert with AI and 3D
$1k+
Earned
2x
Hired
5.0
Rating
49
Followers
Creative Director | Ads Videos That Convert with AI and 3D
Cover image for The objective in this work
The objective in this work was to create a series of premium assets for Balto, featuring five specific dog breeds (Pointer, Corgi, Poodle, Westie, Beagle) interacting with a 3D branded element. The project required a seamless blend of AI-generated characters and high-end motion design. THE CHALLENGE: Raw AI video generations often suffer from significant technical flaws: blurred fur textures, inconsistent lighting, and "shimmering" artifacts. For a premium brand like Balto, these "AI artifacts" create a cheap, amateurish feel that dilutes brand authority. Prompt engineering alone is incapable of producing professional and stable assets. THE STRATEGY: A Hybrid Digital Pipeline. As the Creative Lead, I developed a proprietary hybrid workflow to bridge the gap between raw AI output and cinematic quality: - Biological Realism Pass: I executed a heavy post-production layer focused on "fur fidelity" and ocular clarity. By refining the noise-to-texture ratio, I removed the plastic "AI look," ensuring the dogs felt organic and physically present. - Geometric Fidelity & Interaction: The interaction with the 3D coin required precise physics. - Iterative Refinement: Every frame was audited for "shimmering" and warped geometry (common failures in AI) and corrected through a multi-pass upscaling and denoising process. ‍THE CONCLUSION: This project serves as a benchmark for the future of AI in high-end advertising. It proves that AI is a tool, not a replacement for Creative Direction. To achieve this level of quality, a professional eye for VFX and post-production is mandatory. Without this specialized oversight, the result is merely a "cool experiment." With it, it becomes a brand asset of elite quality. Production Note: The coin in this video served as a spatial and temporal anchor, requiring precise synchronization to ensure realistic physics and interaction. I was responsible for the high-fidelity AI generation, biological texturing, and character performance. The final high-resolution 3D asset rendering and compositing were managed by the client’s internal team post-delivery.
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255
Cover image for FOOH Campaign with 3D Elements
FOOH Campaign with 3D Elements
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21
Cover image for Visual Explorations // R&D Three simple
Visual Explorations // R&D Three simple shots to capture a mood. I wanted a clean top-down look at the plate, a raw macro close-up focused on the texture, and a shallow depth-of-field shot to ground the human element. Every angle, framing, and lens choice was completely calculated before clicking a button. Just keeping the sequence strictly aligned with a real cinematic standard.
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95
Cover image for There is a massive gap
There is a massive gap between "generating" a video and directing one. In my recent work for my client, AI was only the engine. The intelligence and sensitivity were 100% human. For this project, every decision was guided by the "Precision Culture" and the brand’s new 2026 standard. Here is the strategic intent behind the imagery:  1) Cinematographic Intent: Every camera angle and lens choice was planned and intentional; nothing was left to AI chance. By leveraging 3D, I was able to execute the exact camera angles I had envisioned with surgical precision, ensuring there was true direction in every frame. There was true direction in this video. 2) Beyond the Product: The story isn't about selling shears; it's about the trust placed in the tool.  3) The Ritual of Succession: We constructed a narrative of legacy. When the Katana Master presents his blade and the "Hanzo Artist" presents his shears, we are witnessing the transfer of authority from heritage to hyper-modernity. 4) The Hanzo Code: The choice of silence and paused dialogue reflects the core philosophy: strength is calm under pressure.  This required five days of refinement and a lot of cinematographic decisions to ensure the video wasn't just "generated," but directed properly. Note: This film was created as a creative spec piece for conceptual exploration. It is a narrative interpretation and does not represent Hanzo’s actual manufacturing facilities or locations. If your brand’s visual narrative needs more than just “generation”, and it needs a directed vision, send me a message and let’s discuss how to elevate your standards for 2026.
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314
Adobe After Effects(2)
STEPHANIE TETIIZ's avatar
STEPHANIE TETIIZ
Rio de Janeiro, Brazil
Impactful illustration and brand design rooted in craft ✨
$5k+
Earned
2x
Hired
68
Followers
Impactful illustration and brand design rooted in craft ✨
Cover image for AniMAM - Animation, motion design and illustration
AniMAM - Animation, motion design and illustration
2
7
Cover image for Queremos! Poster Design for Sister Nancy
Queremos! Poster Design for Sister Nancy
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2
Cover image for Illustration for AFROPUNK Experience 2025
Illustration for AFROPUNK Experience 2025
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8
Cover image for Visual identity - Quantum Workspaces
Visual identity - Quantum Workspaces
1
8
Adobe After Effects(1)
Barbara Abbes's avatar
Barbara Abbes
proRio de Janeiro, Brazil
Graphic designer passionate about creating engaging work.
Graphic designer passionate about creating engaging work.
Cover image for LIL BABY - FIFA WORLDCUP / BUDWEISER
LIL BABY - FIFA WORLDCUP / BUDWEISER
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2
Cover image for On-screen graphics for Os Hassums
On-screen graphics for Os Hassums
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6
Cover image for Brand Identity for Nous-Music
Brand Identity for Nous-Music
0
9
Cover image for Picobar Brand Refresh
Picobar Brand Refresh
0
5
Adobe After Effects(2)
Roque Martins's avatar
Roque Martins
Rio de Janeiro, Brazil
Diretor de Artes
New to Contra
Diretor de Artes
Cover image for Uma cerveja leve não pode
Uma cerveja leve não pode parecer água. Não é apenas uma foto de produto. É a ciência do design servindo ao apetite. No final das contas, a gente bebe primeiro com os olhos. #DirecaoDeArte (https://www.instagram.com/explore/tags/direcaodearte/) #BrandingEstrategico (https://www.instagram.com/explore/tags/brandingestrategico/) #LautDeLeve (https://www.instagram.com/explore/tags/lautdeleve/) #DesignVisual (https://www.instagram.com/explore/tags/designvisual/) #AgenciaDone (https://www.instagram.com/explore/tags/agenciadone/) #CervejaArtesanal (https://www.instagram.com/explore/tags/cervejaartesanal/) #FotografiaDeProduto (https://www.instagram.com/explore/tags/fotografiadeproduto/) #MarketingDeSabor (https://www.instagram.com/explore/tags/marketingdesabor/)
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12
Cover image for Site OnePage feito para o
Site OnePage feito para o DJ Cronoss
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55
Cover image for Identidade Visual feita para QLean
Identidade Visual feita para QLean Lab Solutions
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52
Cover image for Video criado por mim gerado
Video criado por mim gerado em IA para um cliente, Dr Carlos Roberto...
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66
Adobe After Effects(1)
Carolina Pajuaba's avatar
Carolina Pajuaba
Rio de Janeiro, Brazil
Project Manager for branding, communication and creative ope
New to Contra
Project Manager for branding, communication and creative ope
Cover image for Gt Building Brand Identity
Gt Building Brand Identity
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0
Cover image for 60 anos Bergerson
60 anos Bergerson
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1
Cover image for Bergerson Brand Identity
Bergerson Brand Identity
0
0
Cover image for Reaching For The Sun
Reaching For The Sun
0
0
Adobe After Effects(4)