Freelance Video Post-Production Editors in New YorkFreelance Video Post-Production Editors in New York
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Tanner Notch's avatar
Tanner Notch
max
New York, USA
Motion Design, 3D & AI-Video Specialist
$10k+
Earned
7x
Hired
4.8
Rating
358
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Motion Design, 3D & AI-Video Specialist
Cover image for BoomPop Commercial - Full Post Production
BoomPop Commercial - Full Post Production
3
60
Cover image for Discover | Card Smarts
Discover | Card Smarts
1
14
Cover image for Skillsoft | Instructional Media Series
Skillsoft | Instructional Media Series
0
12
Cover image for Facebook IQ | Sizzle Reel
Facebook IQ | Sizzle Reel
0
29
Video Post-Production Editor(4)
Peter Seligman's avatar
Peter Seligman
Queens, USA
Electronic musician, audio engineer, video creator
Electronic musician, audio engineer, video creator
Cover image for Realtime video processing effects
Realtime video processing effects
0
13
Cover image for ksd6700 "Gaming Squid Missile" music video
ksd6700 "Gaming Squid Missile" music video
0
4
Cover image for "Skirmish Society" game trailer
"Skirmish Society" game trailer
0
2
Cover image for Music Production & Composing Reels
Music Production & Composing Reels
0
6
Video Post-Production Editor(2)
Antonio Matta's avatar
Antonio Matta
pro
New York, USA
Mental Health Ghostwriter | Content for the 2 AM search
Mental Health Ghostwriter | Content for the 2 AM search
Cover image for Transform Your Script into Engaging Videos: Proven Techniques
This was the follow-up after the exec director saw how RESONANCE transformed their first video. Same challenge: script with no visual roadmap. I mapped it to the framework's emotional architecture—where does tension peak? Where do we slow down and let a moment breathe? Used Runway for cinematic camera direction, Kling for sequences, CapCut for pacing. The result: a video that doesn't just explain, it pulls people in. Most organizations think video production means better footage. It means knowing which shot to place where, and why.
2
37
Cover image for A luxury rehab needed an
A luxury rehab needed an animated explainer video for their monthly YouTube series. This is the second video in an ongoing collaboration. We're testing a new cartoon style to make complex recovery concepts more engaging and accessible. I handled the full project: ideation → script → storyboard → production using Dzine, Kling, Grok Imagine, CapCut, and ElevenLabs.
1
27
Cover image for A mental health nonprofit handed
A mental health nonprofit handed me a script with zero visual direction. They needed a volunteer onboarding video but didn't know how to make words feel cinematic. I applied my RESONANCE Framework—maps emotional pacing through eight beats so the story builds tension, offers resolution, and leaves people feeling something, not just informed. The script stayed the same. The visuals became a story. Used Runway and Kling for camera movement and scene generation, CapCut for editorial pacing. Wide shots for vulnerability, close-ups for connection. The exec director asked me to do a second video immediately after seeing the first cut.
1
45
Cover image for A luxury rehab needed a
A luxury rehab needed a video that matched their clinical excellence. I used my RESONANCE framework to develop the visual concepts and flow, then handled full production using Nana Banana, Claude, ElevenLabs, CapCut, Kling, and Grok Imagine. It outperformed 3 months of content. A luxury rehab needed a video that matched their clinical excellence. I used my RESONANCE framework to develop the visual concepts and flow, then handled full production using Nana Banana, Claude, ElevenLabs, CapCut, Kling, and Grok Imagine. It outperformed their last 3 months of content within 2 weeks. The framework ensures visuals align with the emotional state of the viewer—in this case, families researching treatment at 2 AM who need to feel the care before they make the call. Scriptwriting → storyboarding → AI-assisted production. Built for behavioral health.
0
53
Video Post-Production Editor(1)