Freelancers using DaVinci Resolve in New YorkFreelancers using DaVinci Resolve in New York
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Partamas Andras Roland 's avatar
Partamas Andras Roland
New York, USA
Visual Artist&Creative Director/ Cinematic Product & Motion
$1k+
Earned
39
Followers
Visual Artist&Creative Director/ Cinematic Product & Motion
Cover image for A professionally directed music-video concept
A professionally directed music-video concept created entirely digitally, demonstrating what can be achieved without a traditional film production. Parfumu pe piele - Xya This project explores that possibility through a fully digital production built around an original song, an artist performance, cinematic direction, virtual locations, lighting, camera movement, animation and visual effects. The goal was not to imitate a traditional production, but to demonstrate how current AI-assisted technology can give independent artists access to a level of visual storytelling that would traditionally require a much larger production budget. THE CORE IDEA The project isn't about making AI imagery. It's about using current digital technology to construct a complete cinematic production that would traditionally require a physical cast, locations, lighting equipment, cinematography and a production crew. Creative Direction This project explores the space between memory, reality and artificiality through a cinematic visual narrative built entirely in a digital environment. At the center of the film is a male performer and a female figure that exists in two distinct states: a motionless mannequin and an ultra-realistic human presence. The distinction between the two becomes increasingly ambiguous as fragments of another reality appear throughout the performance. The visual world is deliberately reduced to deep blackness and controlled light. Stroboscopic flashes briefly reveal the characters, their movements and fragments of the environment, turning the lighting itself into part of the narrative and editing language. Between flashes, the viewer is left with incomplete moments — as if watching fragmented memories rather than continuous reality. The male performer moves between solo performance, interaction with the mannequin, and fleeting memories of the woman as a living human. Their physical interaction develops through contemporary choreography influenced by the fluidity and precision of ballet, but interpreted through a more organic and expressive movement language. The human sequences are treated almost as fashion-editorial memories: more fluid, dramatic and visually expressive, while maintaining the same visual universe as the mannequin scenes. Rain appears only when caught by the light, adding another physical layer to the darkness. Every element was designed around believable physical behavior — body weight, clothing movement, skin, hair, rain, reflections and material response — to create a contrast between the surreal concept and physically convincing imagery. The cinematography moves between extreme close-ups, observational angles, slow camera drift and abrupt temporal jumps. The flashes and changes in perspective are rhythmically connected to the structure of the original song, allowing the music to function as the spine of the visual edit. Rather than using transformation as an obvious visual effect, the film treats the mannequin and the woman as two versions of the same memory. The viewer is never explicitly told which one is real. THE VISUAL LANGUAGE LIGHT Near-total darkness interrupted by controlled stroboscopic flashes. Light becomes both illumination and an editing device. MOVEMENT A contrast between complete stillness and highly expressive contemporary choreography. Fast fragments coexist with suspended slow movement. CAMERA Extreme close-ups, upward observational perspectives, controlled drifting movements and abrupt temporal discontinuities create the sensation of discovering fragments of a memory. MATERIALITY The mannequin has an intentionally artificial, highly detailed plastic surface, while the human form emphasizes skin pores, imperfections, hair, fabric and realistic physical interaction. RAIN A restrained atmospheric element that becomes visible primarily when intersecting the light, giving depth to an otherwise almost completely black environment. Parfumu pe piele - Xya Creative Direction & Visual Concept András Roland Partamas Music Concept & Production András Roland Partamas Visual Production, Editing & Execution András Roland Partamas Artist(Singer)  AI-generated performance
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Cover image for AFTER THE FALL - Music
AFTER THE FALL - Music Video - By Partamas Andras Roland An original cinematic music film created by Partamas Andras Roland — from the original track and visual concept through to the final film. A dark, atmospheric journey through a fractured world where humanity, isolation and a collapsing landscape meet. Music: Original track created by me with Suno Visual direction & film: Andras Roland Partamas Concept / Production: Andras Roland Partamas https://youtu.be/V0JBi_Fqg6E?si=DZvPw5xQ35mrDJXB
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516
Cover image for Proude to present my Latest work“Omega Watch Product Present...
Proude to present my Latest work“Omega Watch Product Presentation”4K https://youtu.be/MJL40IFpzHk?is=FfOhjndhoVIJXxXW
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Cover image for Project "FRAGMENTED-CLASSICISM" People think AI is
Project "FRAGMENTED-CLASSICISM" People think AI is just slop. The problem isn't the tool. The problem is the lack of "direction & CONTROL" This piece was created in 2 days with no 3D workflow, no Blender, no Cinema 4D, no simulations, no traditional rendering pipeline. Only AI generation, structured prompting, sequencing, and final assembly in DaVinci Resolve. No post-production manipulation beyond color correction and editing. The interesting part isn't the AI. The interesting part is that prompting becomes a form of engineering code control. The constraints, logic, continuity, camera language, material behavior and visual consistency must be designed upfront so the model has no room to hallucinate. In many ways, the prompt becomes the code. The result is a workflow that can simulate the look and presentation of a high-end CG production pipeline without actually using one. Open to collaborations with brands, agencies and studios. PROJECT PRESENTATION/BREAKDOWN https://lnkd.in/dp3C5pCK (https://lnkd.in/dp3C5pCK)SHARE THIS TO PROVE THE MISCONCEPTION ABOUT CONTROL
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284
DaVinci Resolve(9)
Pat P's avatar
Pat P
proNew York, USA
Cinematographer that creates stunning videos and can run ad
Cinematographer that creates stunning videos and can run ad
Cover image for Nike Spec Ad — first
Nike Spec Ad — first spec spot built end-to-end: edit, pacing, sound design, and final finish. Tight transitions, clean typography, and an engineered “WOAH!” → beat drop moment.
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Cover image for Documentary Work With my
Documentary Work With my Good Friend Jeremy Shot in Queens NYC
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Cover image for What’s up everyone — I’m Patrick, founder of Picard Media En...
What’s up everyone — I’m Patrick, founder of Picard Media Enterprises. I’m a NYC filmmaker with 14+ years in cinematic composition, handheld storytelling, and color grading, creating visuals that feel raw, premium, and alive. I handle concept → shoot → edit, and I can also run Meta ads to get the content in front of the right people. More than anything, I’m here to connect with you all—I’ve been looking for a space like this for a while, and it honestly feels like I finally found a community I can truly resonate with. If you’re building, creating, or scaling a brand, let’s tap in. 🤝 🎥 Portfolio: picardmediaenterprises.com (http://picardmediaenterprises.com)📲 IG: @suckahfreeswayze
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Cover image for Filmed this commerical work done for children's brand Appaman
Filmed this commerical work done for children's brand Appaman
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DaVinci Resolve(5)
S A's avatar
S A
proNew York, USA
AI & 3D Visual Design, Fashion / Lifestyle, Unreal Engine
1x
Hired
3
Followers
AI & 3D Visual Design, Fashion / Lifestyle, Unreal Engine
Cover image for Beauty shot | AI visual design | AI motion video|
Beauty shot | AI visual design | AI motion video|
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5
Cover image for VOID / PHASE 02 AI visual design | motion design
VOID / PHASE 02 AI visual design | motion design
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5
Cover image for Beauty shots | Motion | AI fashion editorial images
Beauty shots | Motion | AI fashion editorial images
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329
Cover image for Editorial concept | Generative visual
Editorial concept | Generative visual
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45
DaVinci Resolve(4)
Tamz Liu's avatar
Tamz Liu
New York, USA
The World's Friendliest Designer
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The World's Friendliest Designer
Cover image for YouTube Video
YouTube Video
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Cover image for Promo Video
Promo Video
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22
Cover image for Short-Form Videos
Short-Form Videos
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40
Cover image for Presentation
Presentation
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DaVinci Resolve(3)