I create SaaS videos that drive clarity, action and growth
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I create SaaS videos that drive clarity, action and growth
What do you think of this cosmic gradient?
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Everyone talks about computers exploding during renders. Nobody talks about the mind exploding while crafting a high-converting storyboard.
I just want to say one thing:
Before jumping into animation, having a clear approach is far more important. Start with a storyboard or simply write down your ideas before you animate anything.
Because what if your animation looks absolutely beautiful...
...but fails to explain the product?
Or worse, it generates zero conversions when used as a SaaS explainer ad.
Great animation catches attention.
A great storyboard drives understanding, trust, and conversions.
#SaaS
#SaaSMarketing
#B2BMarketing
#Startup
#TechStartup
#Founder
#StartupFounder
#ProductMarketing
#GrowthMarketing
#DemandGeneration
#CustomerAcquisition
#ProductLedGrowth
#ExplainerVideo
#VideoMarketing
#ConversionRateOptimization
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New work: TaskyAI β SaaS demo (spec edit) π¬
I think most SaaS demos lose the viewer before the value lands. So I rebuilt one to prove the opposite is possible.
I took TaskyAI β an AI-powered task manager β and edited a demo around a single goal: make you understand the product fast enough to want it.
What I focused on:
β UI-first storytelling β zoom, highlight, and flow that pull your eye to the feature that matters
β Retention pacing β no dead air, every second earns the next
β Premium-but-minimal motion β clarity over flash, always
Tools: Premiere Pro, After Effects, Figma
This is the kind of edit I build for SaaS teams who want their product to feel as good as it actually is.
Open to SaaS demo + explainer projects right now. If your product deserves a better video, let's talk. π
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Built this dynamic 3D SaaS dashboard entirely in codeβno video loops. β‘οΈ
The Stack:
Three.js & WebGL: Generative 3D ring and glowing orb.
Vanilla JS: Custom distance math for the dynamic lighting.
Advanced CSS: Crystal-clear glassmorphism.
High-converting UI isn't flat.
π SPECIAL DELIVERY β the holiday ad where your product is the gift
To: every small brand that wrapped its own orders this December
From: the last stop on Santa's route
You know the feeling. The big brands get snow, music and a film people wait for all year. Everyone else gets a card in the feed and hopes someone stops scrolling.
This one is for everyone else.
It's the night before Christmas. Snow falls on a sleeping town. A sleigh crosses the moon. Santa checks the Nice List twice and finds your customer's name on it. One box drops down one chimney and lands by the fire. The lid lifts, the room fills with light, and inside is the thing you make: your product, your logo, your words.
That's the moment every Christmas ad is chasing. The second before a gift is opened. Now your brand gets it too.
In the video, the same box opens four times: a bottle of perfume, a pair of running shoes, a tin of hot cocoa, an instant camera. Four very different brands. One night they all share.
π¦ What's in the box
β’ A 24-second film in ten shots, from the moonlit town to the living room
β’ EDIT ME layers for everything you'd change: product-image, logo, headline, CTA, sign-off
β’ Live text on the gift tag, the Nice List and the end card, so it can speak to your own customer
β’ One accent colour, picked once
β’ Four ways for your product to arrive: rise, spin, bounce or turn
π§ Making it yours takes minutes: swap two images, retype a few lines, choose a reveal. No keyframes to touch, no camera to rebuild.
π οΈ Staged in Blender and animated in SVGator with the MCP
Somebody out there is waiting to unwrap what you make. π
SPECIAL DELIVERY (https://app.svgator.com/editor#/40f72c101e2e49c190a96231924001c7)
Have to say @SVGator is easy to use as well as a good tool for us.
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Title: Echo β a place you can only hear π
Primary effect: Bring your own effect: "Echo" π
invideo Editor timeline:https://invideo.io/share/ECHO-editable-timeline-n92j4troIbx
Process note:
π Echo is a black screen where every sound sends a wave of light through the scene in real depth.
ποΈ Starting footage: one licensed stock clip of a temple corridor from invideo's stock library. The sound is original, synthesised for this piece. The voiceover is my own.
π¬ What I asked for: a black screen where each ping lights the scene by distance, built from a depth map, with controls for each wave, afterglow, wave thickness, contour lines, outlines, colour and a final reveal.
π οΈ What was built: a depth map (Depth Anything Video), two "Echo" custom effects on the depth map (a Multiply layer for light and an Add layer for glow), an "Echo colour" effect on the footage, and keyframes for six waves and the reveal. The first build was done by Claude, connected to invideo Editor through invideo's MCP server.
ποΈ Refinement: I asked invideo's own agent (Agent Two Lite) in the editor to raise Afterglow from 0.14 to 0.3 on both Echo effects. It made the change on the timeline, and that conversation is shown in the video. I also tried a longer afterglow and a gold colour, both shown.
β All building and the final cut were done in invideo Editor.
This work was done in collaboration with @Kailash S R where he worked on the storyboard and I did the animation for SERO. The project was urgent and the first delivery was given within 4 days.
I created a kinetic intro animation inspired by the design evolution from the OnePlus 13 to the upcoming OnePlus 15.
The concept starts with the iconic Plus symbol, then transitions into the outline of the OnePlus 13. I used dynamic line movements to reshape its silhouette into the new OnePlus 15 form factor. The sequence ends with a clean reveal of the OnePlus 15 logo, followed by a smooth wave transition from the static render into the main video.
What I focused on:
Clean logo-driven animation
Shape-to-shape transformation (OP13 β OP15)
Smooth morphing lines for design evolution
Minimal, modern motion language
Wave-style transition into the final video
This intro sets a futuristic, premium tone for smartphone content while keeping the animation short, bold, and visually impactful.
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I created a high-end motion graphics demo showcasing a fictional collaboration between Apple Watch and Emirates Airlines. The project features realistic 3D models of both the Apple Watch and Emirates flight, combined with dynamic animations, elegant transitions, and detailed widget visuals that bring the concept to life. Every motion, reflection, and camera move was carefully designed to reflect premium brand aesthetics. I also handled the entire sound design, syncing audio perfectly with visuals for a cinematic and immersive experience.
Role: Motion Graphics Designer | 3D Visualization | Sound Design
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The story behind the ThinkPad β from IBM to Lenovo.
I created a motion graphic breaking down the timeline of how Lenovo acquired the ThinkPad brand from IBM and continued its journey in the laptop market.
This project was originally made for theΒ Gyan TherapyΒ YouTube channel, combining research, design, and animation to present the history in a clear and engaging format.
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I Just made Intro For Google Pixel 10 Pro Smartphone Review for a YT Video https://www.youtube.com/watch?v=VRdTwjh4BBY&t=62s
A 35-second Short built as a proof-of-craft piece: editing advice for other editors, delivered in the format it's teaching. Fast cuts, kinetic captions, on-screen demonstration of the technique being described β the edit is the argument.
Delivered: short-form edit, kinetic captions, motion titles, vertical cut.
#videoediting #motiongraphics #aftereffects #videoeditor #editingtips
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Athlete Training Film β Motion Graphics & Cinematic Edit
A short-form hype film following an athlete's training arc through to competition. Built on rhythm β cuts matched to the beat, speed ramps on peak effort moments, and kinetic titles that hit on impact.
Motion graphics carry the intensity where footage alone can't: stat overlays, countdown/round cards, and graphic transitions between training and competition. Graded for contrast and grit.
Delivered: full edit, motion titles, stat overlays, sound design, platform cuts.
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Personal Finance Podcast β Sizzle Edit & Motion Graphics
A sizzle cut from a long-form personal finance interview, built to sell the full episode in under a minute. Answers were pulled from across the conversation and re-sequenced into a rapid-fire Q&A β debit vs. credit, where to invest first, whether homeownership still makes sense, who pays on the first date.
The motion work does the structural lifting: animated question cards to frame each beat, kinetic captions to hold attention through talking-head footage, and hard cuts timed to punchlines. Vertical and horizontal cuts delivered for multi-platform posting.
Delivered: sizzle edit, animated question cards, kinetic captions, motion titles, platform cuts (YouTube / Reels / Shorts).
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India's Pharmacy Paradox β Data Explainer with Motion Graphics
A short-form data documentary on India's pharmaceutical contradiction: it manufactures a third of the world's pills and 70% of its vaccines, yet 60% of Indian healthcare spending still comes straight out of people's pockets.
The script moves fast and every beat is a statistic, so the motion work had to carry the argument, not just decorate it β timeline sequences for the 1970 patent shift, comparative bar and share visualizations for global supply, and stark ratio graphics for the doctor shortage. Restrained editorial palette, no gimmicks, pacing built so each number lands before the next arrives.
Delivered: full edit, animated data visualizations, timeline and infographic sequences, motion titles, captions.