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Vanesa Martinez's avatar
Vanesa Martinez
Las Parejas, Argentina
Creative Direction & Advertising Concepts
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Creative Direction & Advertising Concepts
Cover image for LA SEXTA — CHAPTER 3:
LA SEXTA — CHAPTER 3: THE ARCHIVE Sean is an accountant. He notices when things don't add up. After discovering a record that should not exist, he returns to work expecting everything to be normal. It isn't. Old photographs show the same man across decades. An archive marks him as ITERATION 06 — active. And then Sean receives a call from someone using his own voice. «"You're not the sixth. You're what's left of it."» If Sean is the sixth… what came before him? And why does he remember something he was never supposed to remember? LA SEXTA The story continues.
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Cover image for Sean. I didn't want to create
Sean. I didn't want to create a hero. I wanted to create something much more unsettling: an ordinary man discovering that the story humanity tells about itself may be wrong. He's 38. He lives in New York. He's an accountant — quiet, observant, used to noticing when numbers don't add up. Then one night, he finds a store that shouldn't exist. What he learns inside sends him somewhere he can't explain. The pilot doesn't explain the mystery. It opens it. Because behind Sean's discovery is a much bigger question: what if humanity wasn't the first creation? And what if Sean isn't discovering something new — but remembering something he was never supposed to remember? I called it LA SEXTA because the mystery begins with a number: ITERATION 06. If humanity was the sixth... what came before us? This is Sean's story. And this is where it begins.
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Cover image for KIBO is a child made
KIBO is a child made of thought, not code. His unfinished questions become balloons. His hair draws thoughts before he knows he's having them. And instead of solving his thoughts, he learns which one to follow first. An original animated character built around a simple idea: What if a thought became curious enough about itself to need legs?
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Cover image for El desenfoque dejó de obedecer
El desenfoque dejó de obedecer a la distancia. Nítido a 25 m, disuelto a 80 cm, dos planos focales con un anillo borroso en el medio. Ninguna apertura hace esto.
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